4.7 • 1.1K Ratings
🗓️ 13 November 2024
⏱️ 70 minutes
🔗️ Recording | iTunes | RSS
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0:00.0 | Hello and welcome to Backlisted, the podcast which gives New Life to Old Books. Today you find us |
0:17.1 | standing in the kitchen of an English suburban house in the early 1970s. A tall, eager man |
0:22.3 | is filling up the glasses of his wife and two young children with Sherry. The centre of the room |
0:27.0 | stands a very short but neat elderly woman wearing a hat with a veil and gloves. She removes |
0:32.8 | both, takes out a pack of Goldwallars from a pocket and smiles. |
0:41.8 | I'm John Mitchinson, the publisher of Unbound, where people pledge to support the books they really want to read. |
0:45.7 | And I'm Andy Miller, the author of the Year of Reading Dangerously. |
0:50.0 | And today we are joined by returning guest Sam Leith. |
0:51.3 | Hello, Sam. How are you? |
0:56.2 | I'm all right, thank you. How are you both? It's great pleasure to be invited back. Thank you. |
1:01.2 | I am quite well. How about you, John? I am good. In fact, better than good. |
1:08.5 | Not traumatised by the week's election. It's funny you should say that, Sam, because that may come up during this podcast. |
1:16.2 | I think more inspired to think a little deeper and listen a little more carefully to the people around me. |
1:18.1 | I refuse the option of trauma. |
1:19.3 | Very good, John. |
1:23.2 | Sam Leith is the literary editor of The Spectator magazine. |
1:29.6 | His new book is The Haunted Wood, A History of Childhood Reading. And's also the author of You Talking to Me, Rhetoric from Aristotle to Trump and Beyond, gulp, and right to the point, |
1:37.5 | that's right with the W everybody, right to the point, how to be clear, correct and persuasive on |
1:42.0 | the page. He has joined us on previous episodes |
1:44.8 | dedicated to Ray Bradbury in 2019 and Thomas Pynchon in 2022. Sam, how is it going with the |
1:52.9 | Haunted Wood? A wonderful book, as listeners to Batlisted No, because I've burbled on about it on here. |
1:58.3 | Well, thank you. I think it's going okay. I mean, I'm doing what every |
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