4.6 • 2K Ratings
🗓️ 26 March 2016
⏱️ 19 minutes
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This episode of the Philosophy Bites podcast focuses on several questions about representation and perception in the philosophy of film. Nigel Warburton talks to Greg Currie.
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0:00.0 | This is |
0:03.2 | This is Philosophy Bites with me Nigel Warburton and me David Edmonds |
0:08.1 | Philosophy Bites is unfunded. |
0:10.0 | Please help us keep it going by subscribing or donating at |
0:13.2 | W.w. dot philosophy bites.com or you can become a patron at patreon. |
0:19.4 | Philosophers have written a great deal about a wide range of art forms including painting, music, drama, |
0:26.2 | and even photography. But what about film? Is there anything distinctive about film which |
0:31.8 | makes it philosophically interesting. |
0:34.3 | Greg Curry of York University thinks there is. |
0:38.7 | Greg Curry, welcome to Philosophy Bites. |
0:41.1 | Hello. The topic we're going to focus on is the philosophy of film. |
0:46.0 | Now we're talking about feature films movies. |
0:48.6 | Obviously, Plato didn't write about the feature film. |
0:51.5 | It's a relatively new discipline, the philosophy of film. It's a relatively new discipline the philosophy of film. What are the |
0:55.9 | interesting questions that philosophers ask about film? Philosophy of film is of course a recent subject just as film is a recent medium the |
1:06.7 | youngest artistic medium that has been highly successful and perhaps the most |
1:11.5 | successful medium that there has ever been. |
1:15.0 | There are a number of problems that I think of interest to philosophers about film and some of |
1:21.9 | them are to do with the way in which film relates to perception |
1:26.0 | and this comes up in relation to photography as well but film gives it an extra |
1:32.2 | emphasis because of the way in which film occupies time as well as space |
1:38.7 | and provides movement rather than merely static images and you can put the central problem in the |
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