4.7 • 818 Ratings
🗓️ 14 November 2019
⏱️ 50 minutes
🧾️ Download transcript
Meg, Symphony and Hal discuss episode 50 of Welcome to Night Vale: Capital Campaign. Rabbits invade Meg’s microphone and make for a weird recording where they chat about donating to our alma matters, their various phobias, and the hints of strain in Cecil and Carlos’s long distance relationship. In the FanZone Calzone™ we hear about this episode’s weather inspiring new feelings in a fan, a spider named Meg and just how weird and cool time is.
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Good Morning Night Vale is a production of Night Vale Presents
Hosted by Symphony Sanders, Hal Lublin, and Meg Bashwiner
Produced by Meg Bashwiner
Edited by Grant Stewart
Mixed by Vincent Cacchione
Theme Music by Disparition
Logo by Rob Wilson
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| 0:00.0 | Home is where the heart is. |
| 0:06.7 | We found it one day in the sink. |
| 0:08.2 | It huts things late at night, but they are not songs. |
| 0:11.5 | Good morning, Nightville. Hello, everybody. I'm Hal Loveland, aka Stephen Carlsberg. |
| 0:35.9 | And I'm Megan Bashwinner, aka Deborah, the Settient Patch of Hayes.A. Stephen Carlsberg. And I'm Megan Bashwinner, aka. Deborah, the sentient patch of Hayes. |
| 0:41.5 | And I'm Symphony Sanders, aka. Tamoka Flown. |
| 0:50.2 | And... |
| 0:51.3 | And... |
| 0:52.3 | And I'm going to tell you about, I went. And this is Welcome to Nightvale. Good morning. |
| 1:00.9 | Yeah. This is Good morning, Nightvale. The podcast that talks about Welcome to the Nightvale, because you deserve it. And you deserve today to hear all about episode 50 capital campaign. Here is the Description. |
| 1:13.5 | The Nightvale Community College begins a capital campaign to fund a new science center. |
| 1:17.8 | Turnicott hires a new soushef, inauguration day for the new mayor, and an update from the other world desert. |
| 1:24.7 | Let's talk. |
| 1:26.8 | Abud it. You know, I think of the old dog doors as the |
| 1:32.9 | Infinity War and Endgame of this story arc. Fosho. And I remember when Infinity War came out. |
| 1:41.5 | It was this giant, this big spectacle, not cinema, according to Scorsese, |
| 1:46.8 | where all of the different characters came together in one film, and it was a very big deal, |
| 1:51.9 | much like Old Oak Doors. And they followed that up with Ant Man and the Wasp, which was a much |
| 1:56.5 | smaller film, just to sort of reset. And you can't sort of top that scale with bigger scale. |
| 2:04.1 | And it kind of feels like what was done here became a smaller, like the monster of the |
| 2:10.2 | week are a bunch of rabbits. |
| 2:12.7 | And we've gone as far away from the pomp and circumstance and spectacle of the old oak doors |
... |
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