4.6 • 930 Ratings
🗓️ 8 October 2025
⏱️ 29 minutes
🧾️ Download transcript
On the October 8, 2025 episode of /Film Weekly, /Film editor Ben Pearson is joined by several people to present interviews with the co-writer, producer, and director of Good Boy, and Steve Agee, who plays John Economos on Peacemaker season 2.
(~00:57) Good Boy
(~02:41) Interview with Good Boy director Ben Leonberg
(~12:53) Interview with Peacemaker season 2 actor Steve Agee
All the other stuff you need to know:
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| 0:00.0 | Hello, everyone. Welcome to Slash Film Weekly. It's Wednesday, October 8th, 2025. Today's going to be a very, very short episode of the show. I'm still out of town as you're listening to this, so we don't have time and the ability to put together a full show, but I did want to give you guys something here. So I'm going to present a conversation that I had with the co-writer, producer, and director of Good Boy, a new horror |
| 0:22.3 | movie told from the POV of a dog. And then we're also going to present an interview that Slash |
| 0:26.7 | films Danielle Ryan did with Steve Agee, who plays John Economist or Econimos on Peacemaker |
| 0:32.8 | Season 2. My name is Ben Pearson. I am an editor at slashfilm.com. If this is your first episode of the show, |
| 0:38.6 | again, this is not what the show normally is like. We typically have several segments. It's a lot |
| 0:43.5 | more involved than this. So go back and check out some of our other episodes to get a better idea |
| 0:48.2 | of what you can expect on a weekly basis. I should be back next week for a normal episode, fingers crossed. |
| 0:55.8 | So in the meantime, I had a chance to speak with Ben Lienberg, who was the co-writer, producer, |
| 1:02.2 | and director of Good Boy, which is a movie that is told from the perspective of a dog. I don't |
| 1:06.8 | think I've ever seen that done in a horror film or any other genre film before, |
| 1:12.2 | quite in this way. I mean, there have been movies where dogs are the main characters, |
| 1:16.5 | but the way the camera moves in this one and the blocking and everything, it makes it very, |
| 1:20.5 | very clear that the dog is actually the main character here. It's not always a literal |
| 1:25.7 | perspective shot from the dog's eyes. |
| 1:29.9 | You're not necessarily always seeing what the dog is seeing. |
| 1:33.6 | There are several shots where the camera will hover around right behind the dog and several other variations on that. |
| 1:40.3 | I found this movie to be incredibly creative. |
| 1:42.8 | I value originality over a lot of other aspects |
| 1:47.7 | of filmmaking these days because I just see so many movies and so many of them feel samey and |
| 1:53.2 | kind of flat. And anytime there's something that comes along that does something really different |
| 1:59.0 | and kind of out of pocket, I get excited by it. So |
| 2:01.9 | even though Good Boy is probably not going to make my favorite films of the year list or anything |
... |
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