Getting Closer to Playing What We Hear

You'll Hear It: Full Album Deep Dives with Jazz Musicians

Peter Martin

Best New Jazz, Reaction, Album Analysis, Live Music, Album, 194861, Music, Jazz Lessons, Fresh Spin Fridays, Album Breakdown, Music Analysis, Kid A Harmony Analysis, Jazz Education, Musical Life, Video Podcast, Isolated Stems, Track-by-track, Song Breakdown, Music Advice, Jazz Tutorials, Music Education, Album Deep Dive, Jazz Musicians React, Music Commentary, Jazz, Vocal Stems, Adam Maness, Tutorials, Jazz Courses, Musicians React, Peter Martin, Song Stems, Chords, Music Theory

4.9 • 770 Ratings

🗓️ 10 May 2019

⏱️ 16 minutes

🔗️ Recording | iTunes | RSS

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Summary

Today, we have the last SpeakPipe of the week and Peter and Adam talk about working on playing what you hear. Wanna send a SpeakPipe of your own? Check out the bottom of the page at http://www.openstudionetwork.com/podcast.Today's episode is sponsored by the Oxford American. The Oxford American is a magazine dedicated to documenting the complexity and vitality of the American South. Its award-winning annual music issue comes with a CD sampler and digital download - a must-have for any serious music fan. Recent issues have featured Nina Simone, Thelonious Monk, John Cage, and John Cage. Visit https://www.oxfordamerican.org/yhi today for a special subscription discount!Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel and leave a comment for this episode.Interested in more jazz advice? Go here to browse our catalog of jazz lessons and courses available for purchase.Follow us on Facebook, Twitter & Instagram at:https://www.facebook.com/heyopenstudiohttps://twitter.com/heyopenstudiohttps://www.instagram.com/heyopenstudio See acast.com/privacy for privacy and opt-out information.

Transcript

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0:00.0	Hey Pete.
0:00.8	Hey man, how you feeling?
0:01.8	I'm feeling okay.
0:02.7	Are we gonna talk anything about racism or sexism today?
0:05.2	Yeah, we are in a year.
0:06.3	We're gonna wait a whole year to try that again.
0:09.9	Yeah.
0:10.8	Yeah. I'm Adam Maness, and I'm Peter Martin.
0:28.6	You're listening to the You'll Hearer podcast.
0:30.1	Daily, jazz, and non-political advice coming at you.
0:34.2	We're just going to be talking about music today.
0:35.8	That's right.
0:36.3	We're going to get back in our wheelhouse. Actually, again, I don't know what we're talking about. Because you've been pre-screening some of these speak pipes. I have all of them, man. I've got to make the cards so that we're know what to do. So Andrew knows where we're at. We have another speak pipe today from our buddy Charles. Charles is a really great drummer, a really great drum transcriber here at Open Studio. The ATL. Yeah, he sent us a speak pipe.
0:38.4	He spoke to the pipe. our buddy Charles. Charles is a really great drummer, a really great drum transcriber here at Open Studio.
0:54.7	Got him the ATL. Yeah, he sent us to speak pipe. He spoke to the pipe and here's what he wanted to ask.
1:01.5	Adam, Peter, what's happening, fellas? It's Charles out here in Atlanta. I have a question regarding a podcast you did not too long ago where you relayed some information from a Chick-Korean clinic.
1:12.7	One of the main points was that Chick said we should play what we hear.
1:16.3	My question is, how do we get closer to playing what we hear in our heads in an improvisational
1:23.4	situation?
1:24.7	We may hear something that's great, but how do we better make the connection between
1:28.7	our brains and our fingertips, what have you, in the moment? How do we get closer to making
1:36.2	what we hear in our heads happen instantly? As always, you guys are doing a great job. Keep up
	...

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