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Bookworm

George Saunders: Lincoln in the Bardo (Part I)

Bookworm

KCRW

Arts

4.5606 Ratings

🗓️ 31 August 2017

⏱️ 28 minutes

🧾️ Download transcript

Summary

Lincoln in the Bardo dramatizes a grieving President Lincoln as he visits the grave of his beloved son Willie, who died at age eleven. In the novel, the buried dead believe they're not dead -- "they're sick and refer to their coffins as "sick boxes." [REPEAT]

Transcript

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0:00.0

Funds for Bookworm are provided in part by Lannin Foundation.

0:03.8

Boots!

0:06.0

Where would we be without books?

0:12.0

Where would we be without good?

0:16.0

No, Timberg.

0:17.0

It's a rhetorical question, sir.

0:20.0

But where would we be without books?

0:23.6

From KCRW and KCRW.com, I'm Michael Silverblatt.

0:28.6

This is Bookworm, and welcome with me my guest, George Saunders.

0:35.6

This is for me a special occasion because I've been talking to George

0:40.3

since I think his first book of stories came out. How many years later? Since 1996, whatever that

0:48.1

math is. 21 years later, this Lincoln and the Bardo, is his first novel.

0:56.3

And I, you know, opinions mean nothing.

1:01.3

I hope in the course of listening to the program, you'll be convinced.

1:07.2

I think this is his very best book.

1:10.3

I think that somehow or other, the intensity, integrity, responsibility, and concern for life have landed in this book and made it into an American work of spiritual literature.

1:37.3

If we have inherited the Tibetan Book of the Dead, this is the American Book of the Dead. And I wanted to begin by asking you,

1:49.0

this is such a different book. How did you go about it?

1:55.0

Well, it was partly a long germination. I'd heard the idea many, many years ago and just was like, I don't think I can

2:02.3

do that. And then, so in a sense, I think I kind of, you know, as a person and artistically kind of

2:08.7

grew, grew, grew, grew, grew. And then at some point it seemed like it might be doable. So really,

2:14.4

it was the same, I'd say the same artistic method as I'd always used in the past,

...

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