Generative Adversarial Networks
Let's Know Things
Colin Wright
4.8 • 593 Ratings
🗓️ 2 April 2019
⏱️ 36 minutes
🧾️ Download transcript
Summary
This week we talk about Photoshopping, GANs, and Lincoln’s fake body.
We also discuss AI-generated cats, scientific discovery, and creative self-consciousness.
This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsknowthings.substack.com/subscribe
Transcript
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| 0:00.0 | Photo manipulation is not a new thing. Since the 19th century, in fact, photographers and |
| 0:20.4 | photography production specialists |
| 0:22.4 | of various flavors have been using the photographic technologies available to them to adjust |
| 0:27.5 | and tweak, and in some cases dramatically change the resultant image in an attempt to correct |
| 0:33.0 | for imperfections, achieve some more optimal version of reality, or generally mess with the viewer's |
| 0:40.3 | perception of reality. |
| 0:42.3 | Joseph Stalin is a famously enthusiastic practitioner of photo manipulation, for the purposes of |
| 0:48.6 | skewing the perception of reality in the viewers of said photos. he had his photo experts remove folks who had fallen |
| 0:55.7 | out of his favor, for one reason or another, from photos, including historic photos. So when |
| 1:01.4 | the new edited photo came to replace the previous one, he could deny that that person was ever |
| 1:06.7 | in it in the first place. If a photograph could be said to capture reality, then he, Stalin, |
| 1:13.5 | could change history and indeed reality by using these techniques. |
| 1:18.2 | Stalin wasn't the only historic figure to use photographic technologies for their own |
| 1:22.4 | self-serving purposes, though. The photographic portrait of Abraham Lincoln, taken by Matthew Brody, and later used as |
| 1:29.8 | the basis for the image of Lincoln that would become emblazoned across the US $5 bill, was |
| 1:35.5 | originally a seated photo, but Lincoln's face was, in post-processing, placed atop former |
| 1:42.1 | vice president John C. Calhoun's body, which the photographer |
| 1:45.8 | had available from another shoot with Calhoun, and which featured Calhoun's body standing |
| 1:51.4 | next to a writing table, an American flag, and a globe. It was a very presidential-looking |
| 1:56.8 | setup, and Calhoun's body was very dapperly dressed, so it was decided that Lincoln's |
| 2:02.4 | head would look better in that image on that well-dressed and standing body for posterity's sake. |
| 2:09.6 | Now, traditional photographic methods gave would-be propagandists and artists and well-meaning |
... |
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