Geese's Amazing Live Show + Tame Impala's Weak New Album
Indiecast
Amazon Music
4.6 • 621 Ratings
🗓️ 24 October 2025
⏱️ 56 minutes
🧾️ Download transcript
Summary
Steven and Ian open with a quick conversation about online comment sections and how websites are trying to monetize the opinions of online lunatics (1:00). Then they pivot to a Cinema-cast about the new Springsteen biopic, Deliver Me From Nowhere (6:30), and the recent documentary Mr. Scorsese (14:11). They also check in on the Fantasy Albums Draft, where Steven finally does a re-draft (19:16).
From there, they discuss Steven's recent experience seeing Geese on tour, and why they are the most exciting young indie band going (24:55). They also review the new Tame Impala record Deadbeat, which is getting killed by critics (32:44). Finally, they do a "yay or nay" segment on the British buzz band Bar Italia (46:35).
In Recommendation Corner, Ian talks about the post-punk band Just Mustard and talks about the Indianapolis jangle-pop group Good Flying Birds (51:06).
New episodes of Indiecast drop every Friday. Listen to Episode 262 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.
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Transcript
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| 0:00.0 | Indycast is presented by Uprocks's Indie Mix tape. |
| 0:13.4 | Hello everyone and welcome to Indiecast. |
| 0:15.3 | On the show we talk about the biggest indie news of the week, |
| 0:17.8 | we do albums, and we hash out trends. |
| 0:20.4 | In this episode, we talk about |
| 0:21.6 | live geese, the band, not the things in the sky, a critically reviled Tame and Pala album, |
| 0:28.0 | and we yay or nay, bar Italia. My name is Stephen Hayden, and I'm joined by my friend and co-host. |
| 0:34.8 | Donald Glover is going to cook him in Pitchfork's new comments section. |
| 0:38.9 | Ian Cohen. |
| 0:39.8 | Ian, how are you? |
| 0:40.8 | You know, my dream back in 2004 wasn't so much to write for Pitchfork, so much as to be in the |
| 0:48.0 | comments of our pals like Mark Hogan and, you know, Rob Mitchum and let them know that |
| 0:53.0 | their Jimmy Eat World and DeSaparacito's reviews were an affront to God. So, yeah, 20 years late, I'm finally getting to live the dream. Yeah, so we should just announce here. This was on Pitchfork site coming in 2026. As Pitchfork celebrates a story of the anniversary, we're planning to add a comment section to all of our album reviews. |
| 1:11.0 | That's over 30,000 pieces of music criticism on which you'll finally be able to leave your |
| 1:15.2 | pitchwork review for the very first time, your review of the review. |
| 1:20.1 | So yeah, Brent DeCrensenzo. |
| 1:22.3 | Look out, baby. |
| 1:23.4 | You're going to get head hunted by people mad about things you wrote 30 years ago. |
| 1:29.2 | I'm going to find the Walt Mink 10.0 and say it's really like a 9.3. |
| 1:35.3 | You know, I don't want to talk about, you know, I was saying before I get wary of doing |
| 1:39.9 | pitchfork minutia on this show because I feel like, you know, obviously an important site. |
| 1:45.7 | Don't want to treat them like they're the center of the universe necessarily. |
... |
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