4.6 • 3.6K Ratings
🗓️ 4 July 2013
⏱️ 36 minutes
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Gary Shteyngart reads "Paper Losses," by Lorrie Moore.
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0:00.0 | This is the New Yorker Fiction Podcast from the New Yorker magazine. |
0:04.0 | I'm Deborah Treesman, fiction editor at The New Yorker. |
0:07.0 | Each month we invite a writer to choose a story from the magazine's archives to read and discuss. |
0:11.0 | This month we're going to hear paper losses by Laurie Moore. |
0:15.0 | They all slept in the same room in separate beds and saw other families squabbling and squabbling |
0:20.0 | so that by comparison theirs, a family about to break apart forever, didn't look so bad. |
0:26.0 | The story was chosen by Gary Steingart, whose fiction journalism and essays have been appearing in the magazine since 2003. |
0:32.0 | This latest novel, which was excerpted in The New Yorker, is super sad, true love story. |
0:37.0 | This is Gary Steingart's second appearance on The Fiction Podcast. |
0:40.0 | Welcome back, Gary. |
0:41.0 | Hey, good to be back. |
0:43.0 | So the first time you were on in 2008 you chose a story by Andrea Lee and this time it's a story by Laurie Moore. |
0:49.0 | Are you a fan of Laurie's work in general? |
0:53.0 | Oh yes, I'm a huge fan. |
0:55.0 | Laurie's work was some of the first work I ever encountered when I got to college and decided to become a writer. |
1:02.0 | Is that when it happened? |
1:03.0 | That's when it happened. |
1:04.0 | And I realized quite quickly that I could never write short stories like that. |
1:09.0 | And I never really wrote a short story. |
1:11.0 | I think I wrote two short stories in my whole life and I keep a picture of Laurie Moore by my bedside. |
1:17.0 | I work in bed to remind me not to write short stories because it's very hard to get them to be this good. |
1:23.0 | Yeah, what was it in her work that really got to you? |
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