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Horror Queers

Ganja & Hess (1973) feat. Brother Ghoulish

Horror Queers

Horror Queers

Queer Horror, Gay Horror, Lgbt Horror, Film Reviews, Queer, Tv & Film, Gay, Film History, Lgbt

4.7931 Ratings

🗓️ 19 April 2023

⏱️ 120 minutes

🧾️ Download transcript

Summary

Grab your body glitter and avoid the shadow of the cross because we're talking Bill Gunn's Ganja & Hess (1973) for its 50th anniversary! Along for the ride is Brother Ghoulish himself, Ryan Kinney, who brings keen insight into the intersection between colonialism, vampirism and religion. Plus: celebrating Marlene Clark's iconic performance, the film's visualization of black bodies, debating the villainy of the titular characters, Gunn's status as a black gay filmmaker in the 70s, and Trace's disgust over brushing your teeth in the bath. References: -Ayi Kwei Armah. Two Thousand Seasons, 1973 -Manthia Diawara and Phyllis Klotman. "Ganja and Hess: Vampires, sex and addictions." Jump Cut -Christopher Sieving. Pleading the Blood : Bill Gunn's Ganja and Hess, Indiana University Press, 2022 Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Ryan: @brotherghoulish Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada  Hosted on Acast. See acast.com/privacy for more information.

Transcript

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0:00.0

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0:24.5

Available at participating retailers, rated R from Paramount Pictures.

0:29.9

This episode is brought to you by M&M.

0:33.2

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1:03.2

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1:09.5

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1:24.2

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1:38.9

Thank you. Colors, visit your local specialist paint store. You might actually be the most derivative one of all.

1:41.6

I mean, Christ, the same house.

1:43.5

Maybe so.

1:48.8

But you forgot the first rule of surviving a stand movie. Never answer the... I'm bored.

1:49.4

Wait!

1:53.6

And welcome back to horror queers. We're talking impolite questions. We're talking, I just couldn't fix dinner. And we're talking, I'm standing in front of Pam America and the driver can't miss me because I'm that evil. And I'm Joe. And I'm Trace and we're talking, I've had a very difficult fucking six months.

2:20.1

This movie is filled with great one-liners, and they all come from one character.

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