La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La La Lenolium Knife, a very, very special podcast of the cinema.

My name's Alonzo Duraldi.

I'm the film reviews editor for The Rap and one of the critics on What the Flick,

appearing on the Young Turks Network on YouTube.

And I am at the Venice Film Festival.

This is the first ever internationally recorded episode of this

podcast, and hopefully it will actually work because the tech is a little gammy today.

Dave White is back in Los Angeles, hiding everything I own and making foods that I do not like.

But I am thrilled to be joined today by my very good friend, Peter de Bruges.

What's your title over there?

I'm chief international film critic, which makes me sound fancier than I feel.

But I'm based in Paris for Variety Magazine.

Nice.

Now, I always, when you announce that you were going to do this, I love it because it's like...

Sorry, it just cut out on you. Oh, what the...

It does random things like that. Okay, well, we're still going. I don't know. We'll figure it out.

I loved it when you announced that you were going over there because it's like

something out of an old Tony Curtis movie that you're running the Paris office. Did they have a

Paris office? Right, right. I mean, I think of myself as Audrey Hepburn there in Paris, just because

like she had so much fun discovering it in so many movies, or at least in like funny face.

Sure. But the variety used to have a Paris office.

I should probably brush up on my history, but I think, like, once upon a time,

...