You have to control yourself.

You have to control yourself. And welcome back to horror queers.

We're talking, what do you think I want?

You mean old bastard.

I want a fucking room.

We're talking, are you such a fucking loser that you can't tell when you won?

And we're talking white sinners.

And I'm Joe. And I'm Trace. And we're talking descriptions for more types of pussy than I ever

knew existed. Oh my God. And the character's name is Chet Pussy. I never knew that. Oh my God. Honestly, I think that's one of the most memorable parts of this movie because it's just, it just goes on and on and on. It's so much. And yet when you know who is behind this movie, it makes perfect sense. It does. This is a film bro movie if there ever was one. Oh my god. Slapped the poster up on a dorm room wall.

But this is a movie that I really, really, really do enjoy. And everyone, for our 350th episode,

take a shot if you're drinking, we are covering rubber arugas from Dust Till Dawn. I almost

had Quentin Tarantino's from Dust Till Dawn. Well, you would be forgiven for saying

that because in reality, this feels like, A, a test run for, you know, grind house. But also,

it's obviously a Robert Rodriguez film, but so much of the first half of this film feels like

a Quentin Tarantino joint and then it just transfers over to Rodriguez.

Fully, fully, fully 100% agree.

Like this, I just say, this is their first stab at Grindhouse.

This is a double feature in one movie as opposed to just making a double feature.

Yes.

And folks, just in case you missed who was behind this film, content warning for the R word, the F slur, basically pretty much anything offensive you can think of, it's going to be said in this film.

Oh my God, yeah, it is not PC, and I am here for it.

Wow, you are always the person who likes boundary pushing.

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