Welcome back to the home of the oxymoron. Evil genius. He asked the newspaper to print his obituary early so he'd enjoy it. That's like hiding at your own funeral. Yeah, it's a big, great gig. I'm Russell Kane. Join me to weigh in on whether the biggest players in history are more evil or genius. Becoming that rich, I'd say that at some level of genius. It also helps that it's a long time ago, right?

It's like the podcast version of telling your kids the ice cream van plays music when it's out of ice cream.

Listen to Evil Genius on BBC Sounds.

Hello, The Simpsons and all of us face the end of days tonight.

We'll have a first night review of the European premiere of Anne Washburn's hit American play, Mr Burns.

Jeremy Bentham and his Universal Tattoo make a comeback in the third of our series of columns from the 2014 New Generation Thinkers and...

...and... New Generation Thinkers and I work all night, I work all day to pay the bills I have to pay.

Hey, need said.

And still there never seems to be a single penny left for me That's too bad

Gin, why don't you do right

Like some of the men do

Get out of here And get me some money too

Peggy Lee, why don't you do right? Get me some money too.

Before that, Abba's Money, Money, Money, and Humphrey Littleton's Bad Penny Blues.

The Art of Finance, I'll be discussing what a new exhibition on the image of

Filthy Luca can tell us about our relationship with money a bit later on. But first,

Emy McBride and Nathan Filer are two of the shiny new names in contemporary British fiction.

Nathan won the Desmond Elliott Prize and the Costa Prize for his first novel The Shock of the Fall.

And this month, Emy McBride's debut, A Girl is a Half-Fourmed Thing, won the Bailey's Women's Prize for Fiction.

Their books, though pulls apart stylistically, share a fascination with the fragility of mental health,

the schisms and bonds of family, and the devastating

power of grief in the lives of the young protagonists.

...