4.4 • 1.3K Ratings
🗓️ 15 November 2021
⏱️ 87 minutes
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0:00.0 | Welcome to PodVont Guard. I'm Andrea Gazetta. I'm Katrina Davis. And I'm Jordan Lee Williams. |
0:20.0 | And with us today we have... |
0:22.0 | Paige Wesley. Yay! Yeah, yourself. And we are going to get into part two of Frank Lloyd Wright, baby. |
0:34.0 | This has everything. If you guys remember last week we sort of talked about Wright's early childhood, |
0:41.0 | him getting really into architecture, and some weird shit he was doing with his... |
0:48.0 | And really into architects. Yeah. I remember his very sweet relationship. I felt very, very bad that it didn't work out for them. |
0:59.0 | But also I know that this is not an episode of Queer Eye or anything. So, you know, I can't count on things for that every time. |
1:07.0 | It's not, but surprisingly almost every single person in today's episode is also queer. So it's just like... |
1:15.0 | We'll get into it. So in 1898, Frank Lloyd Wright built his architecture studio right alongside his Oak Park home. |
1:25.0 | Wright modeled this building after Gothic Cathedrals with a key feature that would crop up again and again in his designs. |
1:32.0 | Instead of having a door at the front and center of the house, he placed the entryway to the side of the building, often somewhat hidden from view. |
1:39.0 | Wright used this space to quote, deliver the gospel of organic architecture to his draftsmen. |
1:45.0 | As he started designing what came to be known as his prairie houses, Wright borrowed heavily from the architectural principles of Gothic cathedrals. |
1:53.0 | He used cruciform floor plans, which are just floor plans in the shape of a cross. |
1:58.0 | He used Claire's story windows, which are those windows that are really high up, that let a lot of light in, but the neighbors can't see your dick. |
2:06.0 | Oh, I love those. They're really pretty. |
2:09.0 | He used cathedral ceilings, stained glass windows, and built in place furniture that left his clients with nothing to arrange themselves. |
2:18.0 | So they can't move it. They can't move it. |
2:23.0 | Frank Lloyd Wright, this is the living room. |
2:27.0 | This is the living room. This is what you fucking get. |
2:30.0 | We were trying to angle it so the TV can know. |
2:33.0 | This is what you fucking get. This is pre TV, but also like this is what you fucking get. |
... |
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