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Witness History

Francis Bacon's Studio

Witness History

BBC

History, Personal Journals, Society & Culture

4.51.6K Ratings

🗓️ 22 January 2018

⏱️ 10 minutes

🧾️ Download transcript

Summary

In 1998 the influential painter's studio was moved in its entirety from a London house to a gallery in Ireland. Francis Bacon had worked in the chaotic room for 30 years up until his death. Every drip of paint and scrap of paper was carefully transported. Vincent Dowd has been speaking to Barbara Dawson of the Hugh Lane Gallery in Dublin about the project.

Photo: Francis Bacon in his studio. Credit:BBC/IWC Media/Peter Stark

Transcript

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0:00.0

Just before this BBC podcast gets underway, here's something you may not know.

0:04.7

My name's Linda Davies and I Commission Podcasts for BBC Sounds.

0:08.5

As you'd expect, at the BBC we make podcasts of the very highest quality featuring the most knowledgeable experts and genuinely engaging voices.

0:18.0

What you may not know is that the BBC makes podcasts about all kinds of things like pop stars,

0:24.6

poltergeist, cricket, and conspiracy theories and that's just a few examples.

0:29.7

If you'd like to discover something a little bit unexpected, find your next podcast over at BBC

0:35.4

Sounds.

0:36.4

Hello and thank you for downloading The Witness Podcast, History As Told by the People Who

0:41.9

There. I'm Vincent Dowd.

0:44.0

For 30 years the painter Francis Bacon, hugely acclaimed and hugely controversial,

0:50.0

lived and worked in a tiny overflowing home in London.

0:55.0

After Bacon died, it was decided to transfer everything from his studio

1:00.0

to an exact reconstruction in Dublin. That meant 7,000 individual items to shift from tiny scraps of paper to drips of paint.

1:12.0

Reese Muse is a small London. to drips of paint.

1:18.0

Reese Muse is a small London side street here in wealthy South Kensington. Francis Bacon moved in in 1961.

1:21.0

For the next 30 years, it would also be where Bacon painted, creating some of the most disturbing images in modern art.

1:30.0

Francis Bacon's portraits are seldom easy to look at. His images can be nightmarish. He wasn't

1:39.4

interested in making a clean photographic image, yet often he worked from photographs, even with portraits of

1:48.1

lovers.

1:49.1

There are people that I know very well, know the contours of their face, but how can I bring back this image of life? I'm driven

1:59.2

into hoping that accident will give me forms that will bring back the appearance more

2:07.2

violently than any illustration can do. Bacon delved into the darkest areas of the human psyche.

...

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