4.6 • 3.2K Ratings
🗓️ 10 March 2020
⏱️ 51 minutes
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0:00.0 | I get to say that this is case number 11345 Fisher against the University of Texas at Austin. |
0:08.0 | Hey everyone, it's Leon Nefak, co-creator of Fiasco and Slowburn. |
0:12.4 | On this week's episode of Five to Four, Peter, Rianne, and Michael are talking about Fisher |
0:17.4 | V University of Texas, a Supreme Court decision that encapsulates the modern debate on affirmative action. |
0:23.0 | Abigail Fisher was rejected for admission even though some students with lower test scores and grades |
0:29.3 | got in ahead of her. Fisher helped transform the equal protection clause, |
0:33.6 | with a tool that shielded the rights of freed slaves into a weapon used to undermine civil rights. |
0:39.2 | I hope the court rules that a student's race and ethnicity should not be considered |
0:43.3 | when applying to the university. She has lost at three levels of the justice system, |
0:46.8 | but it appears likely the supreme will take her side and cripple affirmative action. |
0:50.7 | This is Five to Four, a podcast about how much the Supreme Court sucks. |
0:55.8 | Welcome to Five to Four, a podcast where we dissect and analyze the terrible Supreme Court |
1:03.4 | decisions whose collective weight have slowly crushed the American soul, like stones, |
1:09.6 | laid a top and accused witch. I am Peter, Twitter's the law boy. I am here with Michael. |
1:17.4 | Hey Peter. And from Austin, Texas, Rianne. Hi. |
1:22.1 | And together we are America's only sexually active lawyers. |
1:26.8 | I think that's right. No, I think that's right. And we are covering, we are covering |
1:34.4 | Fisher v. Texas, affirmative action case, from 2013 and then also a little bit later in 2016. |
1:42.0 | We thought it was important to cover primarily because it highlights how conservatives on the court |
1:49.6 | have turned the equal protection clause, which was meant to protect freed slaves, essentially, |
1:56.0 | into a bludgeon against legislative attempts to promote diversity and correct for historical |
2:03.8 | discrimination. And also because it's sort of the story of a very, very mediocre white girl who |
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