Action Park Media.

All right, welcome to ramble on.

I mean, we just left the editing room about 20 minutes ago and our, you know, just so everyone knows how this kind of works.

Like normally we would have an editor

for like six to eight weeks. I had an editor for three days because I wanted John Corn who did

Entourage Season 1 and is awesome. And he told me when he started, I had a limited amount of time.

And we got there and we got a great first cut. And what I want to talk about today is the first cut, which a lot of people, there's a famous

saying that people say in Hollywood, your film or your show is never as good as your dailies

and never as bad as your first cut. Our first cut is excellent. And now after the screening,

what I've done and gone deep diving in for the last

eight days is to get every negative thought that I could find from every person that was at

that screening. And, you know, what happens is when you show your movie to a friendly crowd,

everybody tells you they love it. Okay. And you got to parse

through that. And then what I normally do, which I didn't do this time until late in the game,

which is fine. But I get my harshest critics who have no reason to tell me anything but what

they think and how I can improve it. So I did that. And I got my friend Tyler Mitchell,

who I've worked with for many years,

who started a great company called Impact at any young writers that are interested in getting

in the business to check it out. He's worked with Brian Grazer. He's written his own movies,

his own shows, and he's just very good at it. And I showed it to him, and he just gave me some

very simple things that could quickly help get this

thing in better shape. But we didn't have an editor. So we got an editor, Ted, today, who's a very

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