What's going on?

Walter Prone.

We're back.

I think I like that worse.

I like it less.

Billy Crappinen.

What's Gucci, Stanley, Tucci.

I'm Mike Maharty. I think Billy Crappin's growing on me. I think I'm starting to like this guy. That's Dan Reichert. Hi, that's me. Hello. And that's Mary Kish. Back from Japan. You gallivanted around. I'm tired. Did you knock over any restaurant walls again? I have a new embarrassing story. Oh, great. Go. Go. Yeah. I was in Japan for work, so I did

Tokyo Game Show, which was awesome in Tokyo. And then I went to Kyoto and where else did I go?

Did you go to the museum?

Nintendo Museum?

I did go to the Nintendo Museum.

I have a cool, that one wasn't embarrassing, but I will just say if anyone has ever heard of this in Kyoto, the original like Nintendo home and it's a hotel, it was so sick and I'm so fortunate that I got a tour of this place.

And I saw the actual physical playing cards that the Yamachi family made to essentially

that became Nintendo.

And in the tour, I got to see the elevator that they used to bring these cards up and down. Because back then,

obviously, all paper cards, very heavy. And it's just like a really fascinating history that

ended up becoming what Nintendo is. And that was one of the highlights of the trip was to be able to

meet the people working in that space and what is to become of it now, which is like more of a incubator for upcoming projects and programs of smart people.

But they still really cling to their roots of of cards, right?

Because that's part of the museum is like did you make

your own cards and do all that stuff and like painting the cards and it was mostly for me like

...