If a small flock of cartoon bluebirds didn't help you get dressed this morning,

that just means you haven't yet listened to.

Fine-tuning with Jim Hill and Drew Taylor.

No, the black dress. Jim Hill and Drew Taylor.

No, the black dress slacks please.

Thank you.

And now, Jim Hill.

Anybody got any questions or? Sure.

Is there anything on deck right now for like a traditional or game drawing animation?

It's kind of an interesting moment.

I began, we were talking on the earlier show about what's going on at Netflix and for example what

Glenkeins up to with the girl on on the moon yeah over the moon over the moon yeah hand

drawn project I mean you also have to understand that not necessarily one of the prouder aspects of John Lasseter's legacy at Disney is that he, yeah, he actually, I remember I was in the convention center in New Orleans after Disney bought Pixar and he stood on stage and I am bringing

back hand-drawn animation at Disney.

They made the initial effort with Princess and the Frog and then if you talk with people at Disney and the whole notion of what they did with

Winnie the Pooh when they had an entire year to pick release dates and they picked the weekend at the very last Harry Potter

let's send this into the buzz though what could possibly happen?

It was assisted suicide.

And then it's like well look we have proven that there is in fact no market out there for hand-drawn animation.

And we'll pivot the CG and be in the space.

It's very frustrating for me personally.

I mean, you were telling the story early today.

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