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The Jim Hill Media Podcast Network

Fine Tooning with Drew Taylor Ep 441: How did Pixar decide which movies to make early on

The Jim Hill Media Podcast Network

Jim Hill Media Podcast Network

Tv & Film, Society & Culture, Places & Travel

4.81.4K Ratings

🗓️ 4 June 2024

⏱️ 42 minutes

🧾️ Download transcript

Summary

Drew Taylor & Jim Hill start this week’s show by discussing how “The Garfield Movie” has been doing at the domestic box office. They also share some fond memories of Disney Legend Richard M. Sherman In this episode, listeners will learn about: Which animated feature – released to theaters a year ago this week – sold $120 million worth of tickets over its opening weekend in North America What part of the score for “Pooh’s Hunny Hunt” (i.e., the first trackless ride at a Disney theme park) did Richard M. Sherman personally direct What limitation of early CG convinced Pixar’s original brain trust that they needed to make movies like “A Bug’s Life,” “Monsters, Inc.,” “Finding Nemo” & “Wall-E” According to early box office projections, how much is “Inside Out 2” expected to earn over its first weekend in domestic release In the future, what will the new release pattern be for the animated features released by Pixar Animation Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

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0:29.5

Welcome back to fine-tuning with Drew Taylor, your one-stop shop when it comes to animation news and

0:34.4

commentary.

0:36.0

I met her Tim writer Jim Hill and Mr. Taylor, whose writings on the industry you can regularly

0:41.0

read over on the rap, and whose musings on the Mission

0:44.3

Impossible movies you can listen to on Light Defuse the official Mission

0:48.9

Impossible podcast he and I are recording this week show on Sunday, June 2nd, 2024.

0:57.0

So Drew, quick question.

1:01.0

You've been eyeballing the box office for this weekend so far?

1:04.4

Yeah, yeah I was just looking at some numbers right as we got on.

1:08.6

Not the best weekend, Jim.

1:11.3

No, no. No. No.

...

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