4.8 • 1.2K Ratings
🗓️ 1 September 2024
⏱️ 51 minutes
🧾️ Download transcript
This week, our guest is trailblazing filmmaker Lee Daniels.
At the top, we discuss his fifteen-year journey to the new Netflix film The Deliverance (5:00), Daniels’ relationship to spirituality (9:16), and his memories of directing theatre at eight-years-old (14:55). Then, we dive into the therapeutic quality of filmmaking (17:14), his work as a casting director at Warner Brothers in the 80s (19:48), and what it meant for Daniels to manage young performers like Morgan Freeman and Loretta Devine (23:38).
On the back-half, he unpacks the tumultuous process of making his award-winning film Precious (32:00), the projects that followed in The Paperboy and The Butler (39:30), the rise of Empire and his paradigm-shifting work in Hollywood (41:10), the peace that guided him to make his new film (46:10), and what motivates him to keep working (50:31).
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0:00.0 | Pushkin. This is talk easy. I'm Sam by Director and producer Lee Daniels. In 2001, |
0:46.7 | Halli Berry made history as the first black woman to receive an Oscar for best |
0:51.0 | actress for her work in Monsters Ball. |
0:54.2 | That was also the first film Lee Daniels had ever produced. |
0:57.7 | To the people who weren't paying close attention, it appeared as if Daniels had just come |
1:01.9 | out of nowhere, the kind of overnight sensation |
1:04.8 | we only see in the movies. |
1:06.7 | But in fact, before Lee Daniels was a household name, or an Oscar-nominated director of |
1:12.2 | films like Precious and The Butler, |
1:14.0 | he was working quietly for two decades behind the scenes. |
1:18.0 | Well, maybe not quietly. |
1:20.0 | As you'll hear today, Daniels, like his movies, is animated and full of life, whose tough |
1:25.6 | upbringing in Philadelphia made him a consummate salesman. |
1:29.7 | That gift served him well, by the way. |
1:31.9 | First working as a casting agent for Warner Brothers in the |
1:34.0 | 1980s, then later as a manager as he discovered actors like Morgan Freeman, Loretta Devine, |
1:39.7 | and Michael Shannon. But as the early 2000s rolled around, Daniels grew |
1:44.7 | increasingly frustrated with the limited roles offered to his clients, most of whom |
1:49.5 | were black. And so he did what Lee Daniels always does. He imagined a world he wanted to live in and |
1:56.6 | then went about making it. First, as a director, then as a producer and showrunner of hit programs like Star and Empire. |
2:05.0 | His latest is a new film called The Deliverance, |
2:08.0 | which stars Andred Day as a single mother trying to raise her children in a home |
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