Film
Overthink
Ellie Anderson, Ph.D. and David Peña-Guzmán, Ph.D.
4.7 • 549 Ratings
🗓️ 30 August 2022
⏱️ 63 minutes
🧾️ Download transcript
Summary
Since the invention of film, we’ve seen an unimaginable shift in the nature of human perception — but what is film, really? In episode 59 of Overthink, Ellie and David dive into the nature of film. What distinguishes film from other art forms, like photography and theater? Do films depict reality as it is, or are films separate worlds in themselves? They dissect the ideology of the movie theater, human perceptions of montage over time and across cultures, the condition of the film spectator, and more!
Works Discussed
Béla Balázs, “Theory of the Film”
Jean-Louis Baudry, “Ideological Effects of the Basic Cinematographic Apparatus”
Stanley Cavell, The World Viewed
Bernd Elzer & Martin Loiperdinger, “Lumiere’s Arrival of the Train: Cinema’s Founding Myth”
Jean Epstein, “The Intelligence of a Machine”
Marshall McLuhan, The Gutenberg Galaxy
Susan Sontag, “The Decay of Cinema”
Susan Sontag, “Film and Theater”
Everything Everywhere All at Once (2022)
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Transcript
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| 0:00.0 | Hi, I'm David Pena Guzman. |
| 0:08.6 | And I'm Ellie Anderson. |
| 0:10.2 | Welcome to Overthink. |
| 0:12.0 | The podcast were two friends, who are also professors, |
| 0:15.0 | put philosophy in dialogue with the everyday. |
| 0:18.6 | Because big ideas are within everyone's reach. |
| 0:30.1 | Just imagine. You are a French person living in Paris in 1895. It's a cool December night, and you've entered into the basement of the Salon Indian |
| 0:42.4 | Du Grand Café de Paris. |
| 0:44.7 | It's a cafe. |
| 0:46.2 | It's a grand cafe, Ellie. |
| 0:48.2 | Grand Cafe, yeah. |
| 0:49.6 | You've been invited to the first screening of the Lumiere Brothers film, which depicts a train |
| 0:57.2 | rolling into the station. It's a silent film, of course. This is 1895. And as you behold, for the very |
| 1:03.6 | first time in your entire life, an actual moving image, and it's of a train coming towards you, |
| 1:10.4 | speeding, hurtling, in your direction. |
| 1:12.7 | You become terrified. You fail to recognize that the train is just an image because you've |
| 1:17.1 | never seen a moving image before, and you run screaming out of the room. |
| 1:21.7 | This is the story of cinema's origin. When cinema was first introduced to Parisian audiences in the late 19th century, |
| 1:30.8 | the feeling from spectators was one of confusion, shock, and excitement. Because people couldn't |
| 1:38.2 | quite tell the difference between what was real and what was imaginary, between what was reality |
| 1:43.6 | itself and what was merely a projection |
| 1:45.7 | of it on their screen. |
... |
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