Just let me go, okay? I won't tell anybody. I promise. Okay, please just let me go. Please.

You need fluids. You were in shock. Can't afford

This is film sound

This is film sound

Ha ha ha ha ha ha ha ha. Oh, sure.

Oh, sure.

Hello and welcome to FilmSack. This is FilmSack, mining the very depths of film entertainment for all mankind, and this is episode 744.

My name is Scott Johnson, joined today by Brian. He spends a lot of time whittling down the tip of his crutches done away.

Oh, this is going to hurt. Oops, missed. Oh, hi. This week on film sackers, we flee from the

arms of a good man in the city over a misunderstanding that probably involves daddy issues.

We find ourselves driven off the road and right into the smelly survival hole of, do you know him?

Suspected GLP, one user John Goodman? Oh, we all know the Goodman who lives on 10 Cloverfield Lane.

Back before he cut back on the muffins man.

Now pulling a daddy got regrets moved by holding us safe hostage, bad dad style.

In this 2016 sort of sequel of that Kaiju movies set in the same universe

that proves genres are meant to be broken and shoved into John Goodman's

barrel of ass and he keeps under the sink. Anywho, with just a little rewrite, I think this

would play great on the Hallmark Channel throughout the alien stuff, adding a big city job for

our main character engaged but needs some space. And now she has to go back home to check in on

her small town dad who is suffering a humorous psychotic break. While there, she reconnects with high school classmate Emmett, who never left and finally gives her a peace of his mind on why she's always running from happiness. She's scared. You know what? Put the aliens back in. It'll be fine. Randy? i'm sorry no one is looking for you not because

you're not loved but because they're all dead no stop crying don't make me get the barrel

come on i'm gonna pull out the barrel the barrel what is that the barrel the barrel many pulled that

...