3 million pages of evidence, thousands of unsealed flight logs,

millions of data points, names, themes and timelines connected.

You are listening to the Epstein files, the world's first AI-native investigation into the case

that traditional journalism simply could not handle.

Welcome back to the Epstein Files.

Last time, we looked at File 134, the 16-year secret.

Today, we are analyzing File 135, The Publicist.

As always, every document and source we reference is available at Epsteinfiles.fm.

So let us start with a 2019 Washington Post report that places a New York film publicist

inside Epstein's influential network of defenders because that

single placement opens a documented question about the social infrastructure that kept

Epstein operating for a decade after his 2008 conviction. Right. So if you look at the documentary

record, it establishes a fundamentally different reality regarding Peggy Siegel than what you

might expect. Yeah. You know, when most people think of a film publicist, you picture someone standing on a red carpet

with a clipboard, someone making sure the paparazzi get a good photo of a director or

an actor.

A promotional coordinator, essentially.

Exactly.

But documents released under the Epstein Files Transparency Act, or EFTA, prove that at the

absolute highest levels of New York and

global society, a publicist of her caliber functions entirely differently. She acted as a highly

fortified gatekeeper. She controlled the exact access points within the media, film, and entertainment

...