'Feeding Ghosts' is a graphic memoir grappling with generational trauma
NPR's Book of the Day
NPR
4.2 • 671 Ratings
🗓️ 1 January 2026
⏱️ 11 minutes
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Transcript
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| 0:00.0 | Hey, it's Empire's Book of the Day. I'm Andrew Limbong. When you undergo a project that involves |
| 0:07.6 | looking back into your family history, asking questions about who these people were that came |
| 0:12.4 | before you, you kind of have to be prepared to not like them, or at least come away with a more |
| 0:18.0 | ambivalent idea of them, right, unless you're only interested |
| 0:21.0 | in hagiography, which, you know, you do you. But if you are looking for truths, you'll probably |
| 0:26.3 | come across some unpleasant ones along the way. That's what happened to comics artist Tessa Hulse, |
| 0:31.6 | who's got a graphic memoir out called Feeding Ghosts, where she examines the impact of China's |
| 0:36.7 | cultural revolution on her family. |
| 0:38.8 | And in this interview with here and now Scott Tong, she talks about certain calculated |
| 0:43.1 | decisions that her grandma made, that gave her a more nuanced view of her grandmother. |
| 0:49.3 | That's ahead. |
| 0:51.1 | How do you tell a story of painful losses and trauma that goes down through generations? |
| 0:56.5 | Well, for artist and author, Tessa Hulls, you're right, a graphic memoir, which not only tells |
| 1:01.3 | how her mother and her grandmother went through China's cultural revolution, but also |
| 1:05.7 | lets us see their pain through her drawings and her own legacy of trauma. The book is called Feeding Ghosts, |
| 1:12.3 | and author Tessa Hulls joins us now. Welcome to here and now. Thanks so much for having me. |
| 1:17.6 | Help us understand the title, Feeding Ghosts. What are the ghosts and what are presumably you |
| 1:22.9 | feeding them? Well, I grew up within this family where I knew that my grandmother had been |
| 1:28.7 | driven to madness in Maoist era China because of what happened to her as a dissident journalist. |
| 1:34.0 | And I sort of knew that this negative space was devouring my family. So to me, these ghosts were |
| 1:40.6 | the unfaced past that lived within my family. And I felt like my role as an author and as an artist was to give them nourishment by bearing |
| 1:50.8 | witness and listening to this story and finding out what it was that they had to say. |
... |
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