4.4 • 2.7K Ratings
🗓️ 29 February 2024
⏱️ 57 minutes
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0:00.0 | I'm Meg Walletter and on this selected shorts, how far will you go to support your loved ones? |
0:13.6 | Would you attend a thousand track meets? |
0:15.8 | Lie to them about how good they were in their school play, Cats? |
0:20.2 | Or consider haunting them at the supermarket? |
0:23.0 | This week, stories about parental figures doing the right thing |
0:26.7 | from some unusual perspectives. |
0:29.0 | You're listening to selected shorts, where our greatest actors |
0:37.0 | transport us through the magic of fiction, one short story at a time. |
0:49.0 | There's a reason why families find their way into fiction so often. They offer up everything a writer needs, |
0:52.0 | plot, character, drama, surprise. We can explore how love |
0:56.0 | does not preclude mystification or exasperation and how we can live with people |
1:01.0 | day after day and still have no real idea what they're thinking |
1:04.7 | or feeling. |
1:06.2 | We can look at the generational aspect of family. |
1:09.4 | Everyone is someone's child, parent, or grandparent, or was. On this program, two stories that explore family |
1:16.8 | from unusual perspectives. In the first, the mother-daughter bond becomes a whole history of women. |
1:23.3 | In the second, we skip a generation to explore the bond between a grandparent and |
1:28.0 | grandchild. |
1:29.7 | In real life, it's often true that family can overstay its welcome, but that's less true in |
1:34.4 | fiction where we seem to only want to hear more about characters who are related to |
1:38.7 | one another regardless of their personalities. Some of the best fiction ever written is about family. Maybe |
1:45.2 | it's because the reader knows there's going to be conflict or maybe it's because there's an opportunity |
... |
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