Okay, walk up, woke up, welcome, what's up? Damn, dude.

Oh, you can. Perfect.

What's up, guys, welcome back to the dope as usual podcast.

My name is Thomas Doppe's Yola.

Whatever you want to call me.

This is my co-ist, Marty O'Neill.

What up, guys?

So, sorry, I'm in that mode of like, I'm awake. My eyes feel like this. I don't know. I've been dabbing all weekend. Hi. Hello. Hello. Hi. How are you guys doing? This is our first time trying to film in what? Raw? Guys, this is our first time ever filming in a flat picture profile. You're looking at log footage, which means... Not even what that means. For our videographers out there... Let me go to the... Let me go to ours. For all our videographers out there, I always just film straight out of camera. How it looks is what you get. When you film log, you're preserving greater detail on the footage. But it looks all flat and weird while you're filming it. You have to color grade it afterwards. You have to

know what you're doing. Is it my cooler. Hopefully you guys let us know. Do we look any different?

I'm all white. I'm tan as fucking. How do we look? It's fucking just done.

Turns off.

So, yeah, we're filming the first time like that.

We're trying it.

Damn, you are pasty white in the viewfinder.

Oh, yeah, yeah.

No, it gets no pastier than me on some log footage guys.

Wow.

Can't adjust that way.

I'm going to start to call people that.

That motherfucker looks log.

Like, you look sick.

You look at lives log. Like, you look sick. You look like you're in log.

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