4.8 • 676 Ratings
🗓️ 13 November 2020
⏱️ 91 minutes
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0:00.0 | Hey, do you remember explorers? |
0:06.6 | Hello and welcome? Hey, You Remember, a show where we reminisce about a movie or TV series we grew up with, then take off the rose-tinted glasses to see how it holds up. |
0:31.8 | I'm Chris. |
0:32.6 | I'm Donna. |
0:33.5 | And I'm Carlos. |
0:34.4 | And today we're revisiting Explorers. |
0:53.3 | Thank you. And I'm Carlos. And today we're revisiting Explorers. The turnover rate for Hollywood studio executives is shockingly high, and those regime changes can affect in-progress productions in any number of ways. |
1:02.9 | The executive who greenlit a particular film might not be the same one who's in charge once it comes time to market and release it. |
1:10.2 | Maybe it winds up getting recut or |
1:12.0 | reshot. Maybe it gets dumped into a handful of theaters without any fanfare. Or, as was the case for |
1:18.8 | director Joe Dante with the 1985 sci-fi adventure film explorers, the movie's taken away from you |
1:25.1 | before it's even finished and your slapdash rough cut is put in front of audiences as the final product. |
1:31.9 | Dante had been pursued for the project because of his success with Gremlins, but even when he signed on, he knew there were issues with the script's third act. |
1:40.1 | He was told that he and the screenwriter would be allowed to rework that section of the film over the course of production. |
1:46.4 | Even before the regime change, however, Explorers was an incredibly rushed production. |
1:51.9 | Dante did his best to navigate his cast and crew through the chaotic schedule, |
1:56.3 | but once the new executives took over, they were more interested in having him get to work on a sequel to |
2:01.2 | Gremlins than they weren't allowing him any more time to tinker with this. They also decided |
2:06.8 | on a new release date, a July weekend where they felt the film might perform extraordinarily |
2:11.6 | well. It was also six weeks earlier than originally planned. With many scenes still unfinished, Dante had no |
2:19.5 | choice but to start pulling more than an hour's worth of material out of his in-progress cut. |
2:25.4 | From there, he and the editor scrambled to try and make sense of the nonsensical mess they were |
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