Synopsis

The film begins 17 years after the events of The Exorcist and follows the characters Father Dyer and Lieutenant Kinderman who have kindled their friendship from the shared tragedy of losing their friend Father Karras. 

A series of murders in Washington DC copycat the Gemini Killer, who has been dead for 17 years. Kinderman is befuddled that they include Gemini’s trademarks that were never revealed to the public. The investigation leads to a psychiatric ward and a supernatural suspect.

Review of Exorcist III

The Exorcist 3 certainly does a better job of carrying forth the themes and story of the first film, however it never comes close to matching its quality. That being said, it’s a vast improvement over the incomprehensible mess of Exorcist II: The Heretic.

The film is written and directed by William Peter Blatty, the author of the original Exorcist novel. While the writing is good, and the characters and relationships strong, the direction is a mixed bag at best. It’s hard to put a finger on whether it is because of Blatty’s lack of experience, this being only his second film he directed, or because of the studio interference demanding a more direct sequel. The answer is probably both.

The relationship between Dyer and Kinderman is the best part and the heart of the film. The dialogue between them genuinely feels like old friends sharing a laugh and challenging each other’s philosophies. 

Like the Exorcist, the dichotomy of good vs evil, and the nature of man is explored. Like the original, the forces of evil seem to be unhindered, and as such, the tone is oppressive and dark at times.

The standout performance is Brad Dourif as the Gemini Killer. Rarely has Dourif been given the free reign to appear on screen as himself and deliver a truly scene chewing performance that displays his full range. It goes from calm meticulousness to unhinged rage within seconds.

The things that hold back the film from being great are the unrefined visual style, and the obviously wedged in and tonally divergent exorcism in act 3. It goes from a tight and oppressive thriller to a bombastic supernatural bombardment in the last act. 

Score

7/10