Picture this. You're stepping into Jeffrey Epstein's sprawling 21,000 square foot beast of a townhouse

at 9E 71st Street, one of the largest private homes in New York City. Before entering the home,

I implore you to take a look at the outside. I've been there myself and I captured this video

right here, which clearly shows a number of different security cameras watching you from almost every single angle.

There are also some ghoulish-looking carvings, possibly gargoyles or cherubs, creepy artistic ornamental faces that decorate the outside of Epstein's former home.

But we're going back in time to a time when Epstein owned the property.

Regardless, before you're

even inside of the front door of Epstein's house, you feel like you're being watched. But

let's go in. Right off the bat, after the 15-foot-tall front door swings open and you step

inside, you're hit by an extremely bizarre sight. Row after row of individually framed prosthetic

eyeballs imported straight from England and hung on the wall in the entrance of Epstein's home.

These aren't some sort of artsy installation.

According to reporting, these eyeballs are real medical prosthetics, originally crafted for wounded soldiers who lost their eyes in battle, probably from wars like World War II.

Jeffrey Epstein seemed to have collected these eyeballs and framed them like some sort of sick

trophy, turning a symbol of human suffering and recovery into this glossy, polished, absolutely

unblinking wall of surveillance. It's almost like the house itself is staring you down,

judging you with every step that you take. There's almost like the house itself is staring you down, judging you with

every step that you take. There's no known artist behind the eyeballs or someone who crafted and

created this collection for Epstein. This seems to have just been something that he wanted to have

installed literally right when you enter his home. Now, if that doesn't scream blackmail recording and secret surveillance,

along with the faces that are watching you and the cameras outside, I don't know what does.

Was this just some sort of macabre collection and interest of Epstein's, or was he telling the

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