This is The Run Through with Vogue.

I'm Chloe Mal.

And I'm Czemanardi.

And we've got a shorty episode this week.

We're joined by our colleague, Nicole Phelps, the global director of Vogue Runway.

She's back again, actually, second week, to discuss Couture Week.

Good morning, Nicole. Welcome back. Two weeks in a row,

we are so, so blessed. I'm the lucky one. Thank you for having me. It is an early morning,

the last day of Couture. Well, I've been watching remotely, and I think you miss a lot

remotely when you look at Couture because obviously Couture is about

handwork so often and it pays to be to be really up close. And that was interesting about the

John Paul Gautier show that Julian Dacina did because the audience was very, very close to the model.

Oh, really? That's always my favorite fashion show and you can feel the the dress sort of like, you know, breeze against your knees because it just

feels so vital. Yeah. And Sarah Moher remarked on that in the room. It gave you a sense of what he

was trying to do, I think, which was to, you know, prop up and champion John Paul Gautier's way of looking at the street and really

taking inspiration from real life.

That was Julian D'Sada's first show for Gautier?

He is a guest designer.

There's a program of guest designers at John Paul Gautier.

Oh, I didn't realize that.

Okay.

And he is the fifth in a long line.

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