Everything But The Girl Singer-Songwriter Tracey Thorn
Fresh Air
NPR
4.3 β’ 36.1K Ratings
ποΈ 12 May 2023
β±οΈ 46 minutes
ποΈ Recording | iTunes | RSS
π§ΎοΈ Download transcript
Summary
Also, Justin Chang reviews the movie BlackBerry.
Transcript
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| 0:00.0 | This is Fresh Air. I'm Dave Davies. The popular British duo Everything But The Girl |
| 0:05.4 | Has Released Their First New Album In 24 Years. Today we feature our interview with Tracy Thorn, |
| 0:11.3 | who is one half of the duo with her husband Ben Wat. They formed their act in the 1980s when they |
| 0:17.0 | were dating and became pop stars in the 90s, especially in Britain, for their smart, |
| 0:22.3 | slinky dance pop. Before we listen to Terry's 2018 interview with Tracy Thorn, |
| 0:27.8 | let's go to our critic Ken Tucker for a review of their new album, Fuse. He says the duo's return |
| 0:33.6 | puts them back in the center of current music making. |
| 0:57.8 | The low smoky voice of Tracy Thorn is the signature sound of everything but the girl. With the duo's |
| 1:26.0 | other half, Ben Wat producing the beats. Describing their roles that way diminishes some aspects of |
| 1:32.0 | collaboration of course, but it's a useful shorthand for the way a listener experiences any new |
| 1:37.4 | everything but the girl song. Thorn's voice draws you in and Wat's a rounder with an atmosphere |
| 1:43.1 | that works as either an enhancement or a dramatic contrast to what Thorn is singing about. |
| 1:48.9 | Take for example nothing left to lose, whose jittery beat and swooping keyboards get your head |
| 1:54.5 | bobbing only to be brought up short by Thorn's declaration of pain of needing a thicker skin |
| 2:01.1 | to endure the agony of a romance that's become one sided. |
| 2:25.0 | Here before tell me what to do, there's nothing works without you. |
| 2:47.7 | This collection, Fuse, eventually reveals itself as an album length plea for compassion and |
| 2:53.5 | connection. Sometimes it's about one person hoping to break through another person's defenses to |
| 2:58.9 | achieve closeness and sometimes it addresses broader symptoms of modern alienation. On the song |
| 3:06.0 | called When You Mess Up, Thorn urges the person she's talking to to forgive minor sins and not |
| 3:12.2 | blow them up into a relationship or career ending dramas, which is to say we all mess up. |
| 3:23.5 | And again, oh but it's hard to explain. Don't be so hot on yourself. Don't think you're |
... |
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