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Grammar Girl: For Writers and Language Lovers.

Everyone has a story to tell, and why your memoir matters, with Grant Faulkner

Grammar Girl: For Writers and Language Lovers.

Mignon Fogarty, Inc.

Society & Culture, Education

4.5 β€’ 2.9K Ratings

πŸ—“οΈ 28 May 2026

⏱️ 26 minutes

🧾️ Download transcript

Summary

1189. This week, we talk to Grant Faulkner, co-founder of Memoir Nation and former executive director of NaNoWriMo, about what makes writing a memoir different from writing fiction. We look at why memory is more story than recording, how trauma fragments the way people use language and narrative structure, and why you don't need an extraordinary life to write a compelling memoir. Grant also explains what a flash novel is and why the form is taking off, and he shares his advice for anyone ready to sit down and start writing their story. 


GrantFaulkner.com


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| HOST: Mignon Fogarty

| Grammar Girl is part of the Quick and Dirty Tips podcast network.

  • Audio Engineer: Dan Feierabend
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| Theme music by Catherine Rannus.

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Transcript

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0:00.0

Grammar Girl here. I'm In Yon Fogarty, and today I'm here with Grant Falkner. Grant is the co-founder of Memoir Nation and also the co-host of that Memoir Nation podcast. He is the co-founder of the Flash Fiction Institute, the co-founder of 100-word stories. I mean, all these co-founder things. I think he works well with other people. And an executive producer on America's next great author. And it was the executive director of national novel writing math, Nanorimo, for 12 years. Grant, welcome to the Grammar Girl podcast. Thank you so much. And when I hear my bioret, I'm like, that's a lot of co-founding, you know, but it's much better than just founding, you know.

0:42.8

Yeah.

0:43.6

It's fun to do things with other people.

0:45.7

Well, I think that your memoir nation work is really interesting.

0:50.0

And we were sort of talking about that before when we were talking about having you on as a guest

0:54.2

and, you know, how writing memoir can be really different from writing other things. So can you

1:00.6

sort of talk us through that? Yeah, it's interesting to me because when I first started the podcast with

1:05.6

Brooke Warner, who co-founded Memor Nation with me, and we initially called it right-minded back when

1:10.6

you were our

1:11.1

first guest, I think, maybe second guest. Anyway, that was fun. But we rebranded at Memoir Nation

1:17.1

when we decided to launch Memoir Nation, the organization. And early in the podcast, you know,

1:22.8

I hadn't read a lot of memoirs. Brooke was kind of a resident memoir scholar. She's been very passionate about

1:29.1

them for a very long time. And so I used to just say, it's all storytelling, you know,

1:34.5

storytelling in memoir and storytelling in fiction. It's just pretty much the same, more or less.

1:40.3

And but then I wrote my own memoir, where I'm still writing it. And the more that I read other memoirs, I realize, yes, that that is true. It is storytelling in its fundamental form, but it's a different type of storytelling because you're telling your story and you're trying to tell the truth, you know, you're trying to have it be nonfiction. I think we all have storytellers'

2:02.5

brains, though, and, you know, there's a fallibility built into how we view the world, right?

2:09.3

I mean, you know, I'm sure you've experienced the same. Some people tell the different stories

2:12.9

about the same experience. Oh my gosh. I have a funny story about that. So I am adopted. And when I met my

2:20.0

biological parents separately, they had very different stories about the night I was conceived.

2:26.1

I won't go to the details, but like you wouldn't even think it was the same event.

2:30.5

That is so interesting. And I is so when it happens to you, I mean, it's, it's so perplexing, right? Because like, it seems like memory is recording, you know, and we're just recording the world. But memory is a story. And I've even heard that memories change every time you re-remember them. You're rewriting them. You're putting a re-story

2:52.0

or restoring them. I think Lydia, Nikovic coined that term. And yeah, and so I think like there

...

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