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Unspooled

Eve's Bayou

Unspooled

Paul Scheer & Amy Nicholson

Film Reviews, Tv & Film

4.64.7K Ratings

🗓️ 26 November 2020

⏱️ 93 minutes

🧾️ Download transcript

Summary

Paul & Amy use their second sight on 1997's Creole family tragedy Eve's Bayou! They learn why director Kasi Lemmons cut a mute observer character from the film, compare the story to To Kill A Mockingbird, and praise the film's slippery relationship with truth and memory. Plus: A look at On Our Own, the Smollett family sitcom. This is the third episode in our Kinspooled series on “effed up families”; next week’s film is The Royal Tenenbaums! Learn more about the show at unspooledpod.com follow us on Twitter @unspooled and Instagram @unspooledpod, and don’t forget to rate, review & subscribe to us on Apple Podcasts, Stitcher and Spotify. You can also listen to our Stitcher Premium game show Screen Test right now, and apply to be a contestant at [email protected]! Photo credit: Kim Troxall

Transcript

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0:00.0

The year is 1997.

0:02.0

Memories are elusive, but podcasts last forever.

0:06.0

The movie, Eves Bayo.

0:08.0

The year is 1997.

0:26.0

Hello everybody and welcome to unspooled.

0:30.0

I'm Amy Nicholson.

0:32.0

And I am Paul Sheer in this is the show where we are endeavoring to find the 100 best films of all time.

0:36.0

We started on the AFI list.

0:38.0

We called that list of 100 down to 40 great films.

0:40.0

And we're looking for 60 more.

0:42.0

And we're going to be doing that in this series.

0:44.0

Going through a bunch of films.

0:46.0

But not just one by one.

0:48.0

We're going to put them all together in mini series.

0:50.0

We've already done back to school movies and horror.

0:52.0

And now we're on fucked up families.

0:54.0

And I had to tell you Amy.

0:56.0

The response to Tokyo Story last week was really helpful to me.

1:00.0

Because I realized that I was not alone.

1:02.0

That many people had not seen this film.

1:04.0

And we're not familiar with Ozu.

1:06.0

So I feel less bad about myself for having this giant gaping hole in my Japanese film knowledge.

...

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