Eva Saulitis' "Prayer 48"
The Daily Poem
Goldberry Studios
4.6 • 729 Ratings
🗓️ 10 May 2021
⏱️ 7 minutes
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Summary
Eva Saulitis was intitally trained as a marine biologist and has studied the killer whales of Prince William Sound, Kenai Fjords and the Aleutian Islands and is the author and co-author of numerous scientific publications. Dissatisfied with the objective language and rigid methodology of science, she later turned to creative writing – poetry and the essay – to develop another language with which to address the natural world. Saulitis’ most recent book publications include Into Great Silence: A Memoir of Discovery and Loss among Vanishing Orcas (nonfiction), Many Ways to Say It (poetry), and Leaving Resurrection: Chronicles of a Whale Scientist (nonfiction). Her essays and poems have appeared in numerous literary journals, including Crazyhorse, Prairie Schooner, Quarterly West, Northwest Review, Alaska Quarterly Review, Sow’s Ear Poetry Review, Cimarron Review, Carnet de Route, Seattle Review, and Kalliope. She lives in Homer, Alaska, where she teaches creative writing at Kenai Peninsula College, at the Kachemak Bay Writers’ Conference, and in the Low-Residency MFA Program of the University of Alaska Anchorage.
This biography was drawn from Saulitis' profile at Orion Magazine.
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Transcript
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| 0:00.0 | Hello and welcome to the Daily Poem. I'm Heidi White, and today is Monday, May 10th. Yesterday was Mother's Day, |
| 0:08.5 | and so today I'm going to read for you a poem about motherhood by American poet and marine biologist Eva Selytis. |
| 0:15.7 | Eva Szilitis lived in Alaska for most of her adult life. She and her partner, Craig Matkin, studied |
| 0:21.8 | orcas in Prince William Sound for over 30 years, an experience that informed her memoir |
| 0:27.3 | into great silence, discovery and loss among vanishing orcas. She also wrote a collection |
| 0:34.4 | of essays called Leaving Resurrection and two poetry collections, |
| 0:39.2 | many ways to say it from 2012 and prayer in wind from 2015. She died in 2016. |
| 0:48.0 | And in her poetry and in this poem you're going to hear today, there's a connection to her |
| 0:53.9 | work with Orcas, |
| 0:55.5 | a thematic connection, a study of lost things, like you hear in her poetry a lot, |
| 1:01.3 | a recollection and memory of things that have been lost that she was trying to hold on to |
| 1:05.7 | and that slipped away from her. And her experience of grief, but also of sweetness and |
| 1:10.3 | growth that comes from that |
| 1:12.1 | losing, from the losing of things that matter to her, permeates her poetry. And in today's poem, |
| 1:18.8 | you can hear that. It's a bittersweet poem. It's quite long, and so I'm only going to read it |
| 1:23.3 | once. So I will offer to you a few thoughts for you to keep in mind when I read it. The first is |
| 1:29.4 | personal. I chose this poem because this weekend, Mother's Day weekend, I spent with my mother. |
| 1:34.9 | She lives in Phoenix and she is hospitalized right now. She has advanced breast cancer. She's on |
| 1:41.4 | chemotherapy and she recently contracted pneumonia. And so she could potentially |
| 1:46.8 | be in her last days. She's very ill. I spent the day with her the entire day on Saturday in her |
| 1:52.5 | hospital room, talking and praying and recalling memories and just connecting with her. And so I certainly have had quite an intense Mother's Day. |
| 2:04.3 | I have my own children and my sick mother. |
... |
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