3.6 • 1.5K Ratings
🗓️ 30 July 2025
⏱️ 79 minutes
🧾️ Download transcript
Click on a timestamp to play from that location
0:00.0 | Welcome to The New York Times Popcast, your house in Nebraska of weekly cultural review. |
0:04.8 | I'm John Caramonica, a critic of the New York Times. |
0:07.3 | I'm Joe Koskarelli. I'm a reporter at The New York Times. |
0:10.1 | My name is Hayden Onidonia, also known as Ethel Cain, and I am from Florida. |
0:14.7 | It's just not my year, but I'm all good I'm saying it like a big |
0:24.2 | I feel outnumbered here |
0:26.7 | It's true, a lot of Florida energy |
0:28.0 | There's a lot of Florida |
0:29.1 | I feel like I have to like inch back a little bit |
0:31.2 | I forgot you from Florida |
0:32.2 | I wonder if there's Floridian wisdom |
0:34.0 | that you think I is just a humble New Yorker |
0:36.2 | am not accessing I think everything Right? Yeah, like you don? Yeah. I don't know if it's like a wisdom as much as it's like a crassness. Yeah. Florida's just like do whatever you want the musical. Yeah. Every day. Mm-hmm. Yes. Which is kind of a problem when you leave Florida and you're like, oh God, there, there's roles. Or not, maybe. |
0:54.7 | All right, I'm going to do a little intro for you and then we'll kick it off. |
0:58.3 | Ethel Cain is the stage name and persona of Hayden and Adonia, a singer and songwriter from Perry, Florida. |
1:05.3 | Yes. |
1:05.7 | Shout out to Perry. |
1:06.6 | Shout out Taylor County. |
1:07.8 | As Ethel Cain, she has been one of the defining and least likely pop |
1:12.4 | cult sensations of the last few years. She's capable of writing pop songs like Crush. |
1:22.8 | Also has a very experimental side. We'll get to that. |
1:28.0 | Preacher's daughter, Ethel Cain's debut album. |
... |
Transcript will be available on the free plan in 26 days. Upgrade to see the full transcript now.
Disclaimer: The podcast and artwork embedded on this page are from The New York Times, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of The New York Times and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.