Eric Wainaina, musician
The Interview
BBC
4.3 • 537 Ratings
🗓️ 29 May 2019
⏱️ 23 minutes
🧾️ Download transcript
Summary
In Kenya, hope and despair live side by side. There is economic growth, technological transformation and a youthful population hungry for opportunity. There is also grinding poverty, inequality and endemic corruption. HARDtalk's Stephen Sackur speaks to one of Kenya’s most popular musicians – Eric Wainaina. His music addresses issues like corruption but how political is he prepared to be?
Transcript
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| 0:00.0 | You're listening to a podcast from the BBC World Service. This is Hard Talk with me, Stephen Sacker. |
| 0:07.0 | Thanks for downloading this edition of the program. I do hope you enjoy it. |
| 0:12.7 | Welcome to Hard Talk on the BBC World Service with me, Stephen Sacker. Today I'm in Nairobi, |
| 0:19.5 | a rapidly growing hub city in East Africa, which encapsulates |
| 0:24.2 | so many of the positives and negatives of the current African experience. There's growth, |
| 0:30.9 | youthful energy, a tech transformation, and there's also grinding poverty and deep frustration with a system which seems to entrench inequality and corruption. |
| 0:42.9 | My guest is Eric Wainaina, one of Kenya's most popular musicians whose songs over two decades have captured a spirit of Kenyanness, |
| 0:53.1 | which has combined dance rhythms with sometimes biting social |
| 0:57.3 | commentary. In neighbouring Uganda, another popular musician, Bobby Wine, has become the leader of an |
| 1:04.1 | opposition movement and has been locked up by the Museveni government. So, how delicate a line |
| 1:10.6 | has Eric Wainaina been treading here in Kenya? |
| 1:14.8 | Well, he joins me now. Eric Wynaner, welcome to Hard Talk. It's good to be here. |
| 1:19.7 | You have been making music for three decades or so. If you think about the music you made at the |
| 1:27.1 | beginning and the sort of music you're working on now, what's changed? |
| 1:31.2 | Well, the music I'm making now is a lot more personal. When I started off, I came from a gospel background, you know, and then there's a lot of pressure in the Kenyan music industry. |
| 1:39.7 | You're coming from a church background, you know, to tow a particular line. But I felt that, first of all, |
| 1:44.3 | I had been raised in a very despotic era in both the original Kenyatta and then President |
| 1:51.0 | Moy. You mean culturally and politically? Culturally and politically, you know. And I had come |
| 1:56.5 | of age at a time when Kenya was a single-party state. And so coming from a church background |
| 2:01.7 | and coming through this sort of political straight-jacketing, as it were, |
| 2:05.8 | I felt I needed to... |
| 2:07.7 | I wanted to have a message in my music |
... |
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