4.6 • 639 Ratings
🗓️ 18 October 2018
⏱️ 29 minutes
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Screenwriter Eric Roth adapts a story of music and heartbreak in "A Star Is Born".
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0:00.0 | From KCRW Santa Monica and KCRW.com, it's The Treatment. |
0:14.2 | Welcome to The Treatment. I'm Elvis Mitchell. If you want to know who to blame for the success of Netflix, |
0:19.8 | listen no further than the man sitting across from me, Eric Roth, who is, if you're an actor-turned-director |
0:26.3 | or one of the most demanding directors around, he's the guy you call. |
0:30.1 | He's the guy that David Fincher goes to. |
0:32.3 | And Michael Mann, and the actor-directors you work with include Robert Redford and Kevin Costner and Robert De Niro and his newest, |
0:39.2 | the adaptation of a star is born, Bradley Cooper. |
0:41.0 | First of all, thank you so much for doing this, Eric. |
0:43.1 | Thank you. |
0:43.5 | Always glad to be with you. |
0:44.5 | You know that. |
0:45.1 | You know, I feel exact same way about you. |
0:47.1 | And you've done so many adaptations and adaptations that really on the face with it don't really lend themselves to adaptation. |
0:56.4 | If you look at Benjamin Button or what became Munich or the insider, it's almost hard to find, |
1:03.4 | because there's so many people in all these things. |
1:05.4 | Yes. |
1:06.0 | It's hard to find the drama in it. |
1:07.3 | You tend to be attracted to pieces that involve a large number of big cast, don't you? |
1:11.6 | I never thought of it that way. Probably true because it would scare me if I thought about it, how to be a big cast. |
1:16.6 | You have original voices for all sorts of characters and each of them has a wallet that they can pull out. |
1:22.6 | I always think about the theme is really where I start, and then I'll go to plot or character. |
1:28.9 | So it's the themes of the things that interest me the most. |
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