Episode 79 (Artist in Landscape)
the memory palace
Nate DiMeo
4.8 • 7.3K Ratings
🗓️ 12 November 2015
⏱️ 17 minutes
🧾️ Download transcript
Summary
Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score. * They first meet to a piece called Brouillard (version 1) from Georges Delaure's extraordinary score to Jules et Jim. (A second version comes in later when J.J. Audubon is living the high life in England). * We also hear Waltz by Mother Falcon. * I go back to the Marcelo Zarvos/Please Give well when the Scotsman arrives at their store. Note: it's the go-to soundtrack for "People Arriving at One's Store With A Life Changing Proposition" here at the Memory Palace. Also: go watch Please Give. * The little piano piece is from Nathan Johnson's score to The Day I Saw Your Heart. * Lucy and John titter like plovers to Andrew Cyrille's dope, skittering drums on Nuba 1. * The especially sad bit, right before the end is Dream 3 (in the Midst of my Life), from Max Richter's giant, From Sleep album. * A couple times, including the ending, we hear "the Lark Ascending" from Ralph Vaughn Willliams. It is beautiful. You should buy it.
Notes As per usual, I read a lot about the Audubons and the Bakewells. I relied most upon the charming and smart, On the Road with John James Audubon by Mary Durant, and Carolyn DeLatte's lovely, thoughtful book, Lucy Audubon: a Biography. * Just a quick note: there's a very enjoyable PBS/American Masters/Nature documentary about Audubon. It's a fun and informative watch. But, I'll say, you come out of that thinking that things were fundamentally swell between Lucy and John in a way that I'm not entirely sure is supported by the facts. Or jibes with, you know, human nature.
Learn about your ad choices: dovetail.prx.org/ad-choicesTranscript
Click on a timestamp to play from that location
| 0:00.0 | This is the memory palace. |
| 0:02.0 | I'm Nate de Malle. |
| 0:04.0 | This specimen was approximately 1.8 meters tall, weighing roughly 72 kilos. |
| 0:10.0 | Here was thick and brown in color at the time of observation, July 1817, in a field of |
| 0:16.0 | marsh grass located north northeast of Louisville, Kentucky. |
| 0:20.0 | This specimen demonstrated keen eyesight, and the capacity to move swiftly while maintaining |
| 0:24.6 | a quiet, stealthy bearing, so as best to track its prey. |
| 0:29.0 | Its vocalizations, while infrequent in this environment, as again, stealth was a vital |
| 0:33.8 | component in its hunting strategy, was notable for its varied tone, pitch, and volume, |
| 0:40.7 | and for its French accent, which was known to make the lady swim. |
| 0:47.2 | So it was when the specimen, born Jean-Jacques-Adubon, on a plantation owned by his parents in Haiti |
| 0:53.3 | in 1791, met Miss Lucy Bakewell at her parents' estate in Pennsylvania. |
| 0:59.9 | He was 18, a year her senior, and had emigrated to the states the year before, when he changed |
| 1:06.5 | his name to the more American sounding, Jean-James-Adubon. |
| 1:10.9 | In Lucy Bakewell had never met anyone like him before, with his long, flowing hair, with |
| 1:16.6 | the accent. |
| 1:17.6 | In this fire, this thing in his eyes, she certainly hadn't seen that thing in the men and |
| 1:24.0 | their own family, not in her stern, protrusion father, the English gentleman who preached |
| 1:29.9 | the virtues of discipline, of a quiet home and quiet daughters, who once caught Lucy |
| 1:35.6 | and her sisters weeping over the plight of doom lovers in a romance novel, and then |
| 1:40.8 | tossed it in the fire. |
| 1:46.4 | This young visitor, this peculiar boy, with the hair and the eyes in the Frenchman's |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Nate DiMeo, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Nate DiMeo and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

