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The Projection Booth Podcast

Episode 750: Gloria (1980)

The Projection Booth Podcast

The Projection Booth

Film Reviews, Film Interviews, Film History, Tv & Film

4.8 • 686 Ratings

🗓️ 2 July 2025

⏱️ 73 minutes

🧾️ Download transcript

Summary

John Cassavetes may be known for his raw, improvisational indie dramas, but with Gloria (1980), he delivered something entirely different—a gritty urban thriller with a heart, starring the incomparable Gena Rowlands who plays the titular Gloria, a tough, no-nonsense woman with mob ties who suddenly finds herself the reluctant guardian of a young boy targeted by gangsters after his family’s brutal murder. Armed with nothing but attitude and a pistol, Gloria hauls the kid through the hostile streets of New York City, dodging bullets, hitmen, and her own complicated past.

Mike is joined by returning guests Judith Mayne and Andrew Rausch to explore the film’s unconventional blend of gangster tropes, maternal instinct, and Cassavetes’s offbeat sensibilities. We dig into Rowlands’s powerhouse performance, the film’s strange place in Cassavetes’s career, and its legacy as a cult favorite that paved the way for countless “reluctant protector” thrillers.

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Transcript

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0:00.0

Hold your ears, folks. It's showtime.

0:08.6

People pay good money to see this movie.

0:10.9

When they go out to a theater, they want cold sodas, hot popcorn, and no monsters in the projection booth.

0:17.3

Everyone pretend podcasting isn't boring.

0:20.2

Shut it off.

0:25.4

Turn it off.

0:26.6

Oh! Gloria Gloria

0:39.3

Gloria

0:43.3

Is

0:44.3

Jenna Rollins

0:47.3

is Gloria

0:49.3

She's tough

0:52.3

but she sides with the little guy.

0:58.0

I don't want to die. What do I do with you?

1:01.0

You know, you're not my family or anything. You're just a neighbor's kid, right?

1:09.0

Gloria. You know, we're not interested in you.

1:11.6

All we want is the book and the kid.

1:14.6

What's you gonna do?

1:15.6

Shoot a six-year-old kid on the street?

1:18.6

For Gloria, the danger is always getting closer.

1:36.8

And getting closer is always the danger.

1:41.8

Tony?

...

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