4.7 • 626 Ratings
🗓️ 26 March 2021
⏱️ 83 minutes
🧾️ Download transcript
The LFTS team discusses The Favourite’s three iconic central performances, the dialogue’s bawdy sense of humor, and how the wide-angle cinematography enhances the film’s absurd tone and themes.
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Show Notes
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0:00.0 | Hi, I'm Michael and welcome to Beyond the Screenplay. |
0:08.8 | The podcast for each week we do a conversational deep dive analysis into a film. |
0:13.3 | Today we are talking about The Favorite, the 2018 film directed by Yorgo's Lantamose, written by Deborah Davis and Tony McNamara. |
0:20.9 | I'm joined by the Beyond the Screenplay team, Trisha Arand. |
0:23.5 | Hello, everybody. |
0:24.6 | Brian Bittner. |
0:25.4 | Hello, hello. |
0:26.0 | And Alex Cayetos. |
0:27.3 | Hi. |
0:28.0 | So the favorite, I think, is one of our favorite movies. |
0:31.8 | I think this is one of the movies where the Venn diagram of the four of us overlaps and it includes like Eternal Sunshine |
0:38.8 | and the favorite and end of lists potentially the Matrix or Jurassic Park or whatever. |
0:44.0 | So we have a lot of things that we want to talk about before we jump in as usual. |
0:48.0 | Our Spotify question for people listening on the Spotify app is, who's your favorite queen |
0:52.9 | in a movie? |
0:53.8 | Or TV? Do we have a movie? Or TV? |
0:55.0 | Do we have TV queens? |
0:56.2 | Or TV, sure. |
0:57.6 | Queens in any kind of audiovisual media. |
1:02.0 | Let us know. |
1:04.2 | Also, quick Patreon update. |
1:06.2 | Our March patron exclusive episode is Catch Me If You Can. |
... |
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