4.8 • 688 Ratings
🗓️ 18 December 2019
⏱️ 94 minutes
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0:00.0 | Spectrevision Radio |
0:03.3 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:23.3 | For more episodes or to support the podcast, go to weirdst. I'm J.F. Martell. Today, our topic is the classic |
0:54.0 | 1947 British film, |
0:56.1 | Black Narcississus, written and directed by Michael Powell and Amrik Pressburger, |
1:00.8 | and starring Deborah Carr, my wife tells me that's how it's pronounced, Kathleen Byron and David Farrar. |
1:07.0 | The film was based on a novel, also discussed in this episode, by Ror Godin, who happens to be Phil Ford's first cousin twice removed. |
1:16.2 | But that's not the reason Phil suggested we talk about this movie, at least I don't think it was. |
1:20.7 | Black Narcissus is bonafide weird in the subtlest, most delicious sense of the word. |
1:25.6 | The plot is deceptively simple. |
1:28.8 | In the dying days of the British Empire, a group of nuns are sent into the Himalayas to open a convent in a disused palace, |
1:34.5 | which once served as a Sorrelio for the local magnate's many lovers. What unfolds is a slow |
1:40.5 | descent into madness that Stanley Kubrick would emulate with his usual bombast in his |
1:46.4 | adaptation of Stephen King's The Shining 30 years later. Black Narcissus is an unspoilable film, |
1:52.5 | so don't worry if you haven't seen it. If you do want to watch it, either before or after |
1:56.8 | listening to the podcast, Criterion has a beautiful restoration of it on their new streaming channel, |
2:02.4 | which, incidentally, is one of my favorite things of 2019. |
2:07.2 | Speaking of which, this episode will be our last for the year. |
2:10.6 | We're going to take a break for the holidays and be back with episode 63 on January 8th, 2020. |
2:16.2 | This has been a truly wonderful year for Weird Studies, and I'll take |
2:19.5 | this opportunity to thank you for being part of it. Special thanks goes to all our Weird Studies |
2:24.2 | patrons, whose generous pledges help us take the time we need to research, record, edit, and put |
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