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History of Japan

Episode 618 - Live by the Sword

History of Japan

Isaac Meyer

History

4.7790 Ratings

🗓️ 6 March 2026

⏱️ 36 minutes

🧾️ Download transcript

Summary

This week, we're tackling the most legendary samurai in Japanese history: Miyamoto Musashi. Why is he so famous, what do we actually know about him, and why is there such a big gap between the story most are familiar with and what our actual sources have to say?

Show notes here

 

 

Transcript

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0:00.0

Hello and welcome to the History of Japan podcast, Episode 618, Live by the Sword.

0:22.8

On the subject of legendary figures in Japanese history and the way they get transformed

0:27.5

from actual people into legends, there's one more person we absolutely have to talk about.

0:33.2

More so than even Yoshitsune.

0:35.2

He's well known in both Japan and in the wider world, and his legend has only grown

0:39.5

in stature, though practically speaking we know almost nothing about him.

0:45.9

His name is Miyamoto Musashi, and like Yoshitsune, the stories that had grown up around

0:51.0

Musashi are so well known, so firmly established, that today it's an incredible

0:56.2

challenge to separate fact from fiction.

1:00.8

Unlike Yoshitsune, though, with Musashi there's one person above all others who probably

1:05.0

deserves credit for creating his legend.

1:08.3

His name is Yoshkawa Eiji, and he's not the sort of writer you'd probably

1:12.1

encounter in a literature class focused on Japan. He's not in that sense as famous as someone

1:17.2

like Natsime Solseki, who he talked about a few weeks ago, or is internationally regarded

1:22.1

as writers like Oa Kan Zaburo or Kalabata Yasunari. Yet within Japan, I would bet more people have actually

1:30.9

read his work or seen one of the many, many works adapted from it. Yoshkawa, alongside his later

1:37.4

contemporary Shiburyo Yotaro, is one of the two most famous authors of historical fiction in

1:43.0

modern Japan.

1:49.7

And as an aside, of course, there's a whole other conversation we could have here about who gets considered literary, whose work is considered pedestrian and beneath serious analysis,

1:54.7

or being included in fancy literature courses.

1:57.8

There's a big component of elitism and classism that I would argue goes into those

2:02.4

distinctions. That's a conversation for another time. Anyway, Yoshkawa Aiji was born in 1892 to a

...

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