You just realized your business needed to hire someone yesterday. So how do you find amazing candidates fast?

Simple. Just use Indeed. Stop wasting time with other job sites that aren't getting your post seen.

With Indeed's sponsored jobs, your post jumps to the top getting in front of the right candidates fast.

And it works. According to Indeed

data, sponsor jobs get 45% more applications than non-sponsored ones. Join the 3.5 million employers

worldwide who are hiring great talent with Indeed. Best part? No monthly subscriptions, no long-term contracts, and you only pay for results.

There's no need to wait any longer. Speed up your hiring right now with Indeed, and listeners of the show will get a 100-pound

sponsored job credit to get your jobs more visibility at Indeed.com slash show.

Just go to Indeed.com slash show right now and support our show by saying you heard about Indeed on this podcast.

Indeed.com slash show. Terms and conditions apply. Hello and welcome to the history of Japan podcast, episode 592, The Artist of the Open Road,

Part 2.

We last left Utagawa Hiro Shige, one of the greatest artists, not just of his generation,

but all of Japanese history, having been turned down by the first master he asked to

apprentice himself to,

something I will always find at least a little bit funny,

before finding that the second time was in fact the charm.

And I should say here, there are really two stories about Hiroshiige's origins, so to speak.

The first and more common one is the one I told last week that Hiroshi

I first approached Utagawa Toyokuni, the older of the two second-generation masters of the

Utagawa School of Uki-O-E, but Toyokuni turned him down. He already had too many students,

and, hey, what were the odds this kid was going to turn out to be one of the most revered

artists in Japanese history.

...