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Classic Ghost Stories

Episode 58 The Beckoning Fair One by Oliver Onions Part 1

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9 • 686 Ratings

🗓️ 18 July 2020

⏱️ 59 minutes

🧾️ Download transcript

Summary

The Beckoning Fair One by Oliver OnionsBecause this story is actually a novella, I am splitting it probably into three episodes much as I did for Carmilla by J Sheridan Le Fanu.I'm doing The Beckoning Fair One by Oliver Onions for a couple of reasons. Firstly, of course it is a classic ghost story and has been described as a 'cut above' the standard ghost story.This episode represents sections 1-4 of the story.We have done an Oliver Onions story before: The Cigarette Case https://player.captivate.fm/episode/cba2b2e7-9ece-4767-803e-895ebbd34880 (Episode 36)Onions is a lyrical writer and this story is a slow burn. He gives some lovely descriptions of his new flat and the life of the square outside with its school children, cats and dogs and occasional mandolin player.He actually reminds me of Proust. Now, if I was to read out Proust, I'd be at it for the rest of my life.Oliver conjoures Elsie Bengough and is not wholly kind about her. She's a bloomy, pink, moist, lady. In fact, she turns out to the voice of reason, but that's for future episodes.I note again Onions's hidden Welshness. Apart from the fact he's got a Welsh surname: Ab Enion; he has intimate knowledge of a Meirionethshire accent, which I enjoyed doing. I have friends from Meirionydd, you see. And he calls Elsie, Elsie Bengough, which is clearly Welsh, Bengoch, red head; even though she's not ginger. The ghostly influence is wonderfully subtle. We see it at first changing his taste. He furnishes and paints the flat at first elder-flower pale, but then gets strange ideas about introducing more colour. We wonder where these promptings come from.Then he can't work. Ultimately, he dislikes his life's work novel Romilly Bishop. The Reason he doesn't like it is because the main character Romilly is based on Elsie Bengough, his sort-of long-term girlfriend. Is the ghost trying to oust him out?Then he finds a piece of material which he can't identify, but which Elsie Bengough tells him is a harp cover.Then the dripping tap subtly insinuates a tune into his head which he begins to hum and Mrs Barrett recognses as The Beckoning Fair One.Critics have called this the best classic ghost story ever and other say it isn't a ghost story; much like The https://player.captivate.fm/episode/a9e021f7-af89-499d-bdde-779d2afe5b54 (Yellow Wallpaper) or https://player.captivate.fm/episode/60579769-c11c-46ee-b4e3-cad8b6778d37 (The Horla).However, personally, I do think it's a ghost story. The build up is too deliberate for it all to be chance: the changes in his taste, the artefacts he finds; the harp case for example. For me these carry the energy of The Beckoning Fair One, and she's out to ensnare him.Then there's Elsie Bengough's prescient comment just before the end of Section 3: Who else lives here? She's had an intuition that the house is not deserted; that there's someone or something living there with him. Elsie also has the intuition that the ghost will never allow Oleron to finish Romilly Bishop in that house. She won't because she's jealous that the heroine of Romillyis modelled on Elsie Bengough and the ghost is jealous.It is during the subtle dripping of the tap; the dripping that he later realises introduced the tune of The Beckoning Fair One that he starts to criticise Elsie Bengough so sharply in tones he has never entertained before. I think Onions intends all of this. Oleron is being hypnotised, in my opinion, by the spirit of the houseWho is this Beckoning Fair One and what does she want of him?You'll have to keep listening to find out.Music by The Heartwood InstituteYou can listen to the album from which this is taken https://theheartwSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

The Beconez

0:07.9

Everybody dies, don't they?

0:10.4

Everybody come back.

0:12.6

Isn't that so?

0:14.4

You tried to get into the locked drawer today, didn't you?

0:17.1

How do the dead come back, mother?

0:19.9

What's the secret?

0:21.5

The Beckoning Fair One, by Oliver Onions.

0:26.1

One.

0:27.9

The three or four to let boards had stood within the low paling as long as the inhabitants

0:32.4

of the little triangular square could remember.

0:35.6

And if they had ever been vertical, it was a very long time ago.

0:40.5

They now overhung the palings each at its own angle, and resembled nothing so much as a row of

0:45.6

wooden choppers, ever in the act of falling upon some passer-by, yet never cutting off a tenant

0:51.5

for the old house from the stream of his fellows.

0:57.7

Not that there ever was any great stream through the square.

1:00.6

The stream passed a furlong and moor away,

1:05.8

beyond the intricacy of tenements and alleys and byways that had sprung up since the old house had been built, hemming it in completely,

1:09.9

and probably the house itself was only suffered

1:12.2

to stand depending the falling in of a lease or two, when doubtless a clearance would be made

1:17.4

of the whole neighbourhood. It was of bloomy old red brick, and built into its walls with

1:23.3

a crowns and clasped hands and other insignia of insurance companies long since defunct.

...

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