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Classic Ghost Stories

Episode 57: The Mezzotint by M R James

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9 • 686 Ratings

🗓️ 11 July 2020

⏱️ 33 minutes

🧾️ Download transcript

Summary

M R JamesThis is the third story we've done by M R James, previous ones being https://player.captivate.fm/episode/a39d795e-df46-4123-a0bb-a12dec71069f (The Experiment) and Episode 3: https://player.captivate.fm/episode/a39d795e-df46-4123-a0bb-a12dec71069f (Whistle and I'll Come to You).We talked about James the man there. In a nutshell, he was an academic who had jobs at Eton College and Cambridge University. The heroes of his stories tend to be dusty old academics like himself. He is considered the godfather of the English ghost story, credited for moving the genre from the Gothic to a more modern incarnation. The MezzotintThe Mezzotint was published in 1904 as part of James's collection Ghost Stories of an Antiquary. The story is a simple one. An academic, Mr Williams, has a job of collecting prints of English country houses and such scenes for his University college. This is such a narrow and particular job it's a wonder to think that anyone had some a restricted role. He receives a catalogue from his dealer with a suggestion that he might like this particular mezzotint with a price tag of two guineas which seems exorbitant for such an amateur work. But as different people look at the mezzotint, it improves in quality and seems to be playing out a story. This leads to a detective investigation to find out where it is and the history of the place portrayed. So, there are two streams to the story: the rational detective work and the supernatural events unfolding in the picture which are quite demonic. James is famous for eschewing the cosy ghost story. He wanted his stories to be nasty. He has a real gift for introducing odd and jarring elements into his story which are disintinctly unnerving. There is something about the description of the figure, whose face is obscured apart from a domed forehead and some straggling hairs.And of course the theft of a child. Children coming to harm is always a nasty element. When the real-world investigation turns up the story of Francis having the poacher Gawdy hung and Gawdy promising revenge, it seems that the only explanation is that Gawdy returned after his death to exact his revenge. The other delightful aspect of the story is the series of in-jokes. James used to read his stories aloud to his colleagues, and so the in jokes about their obsession with golf and the snobby comments of the Sadducean Professor of Ophiology probably got some laughs. Some other features may not be familiar to the modern reader who has not been to Oxford of Cambridge, so the references to 'sporting' doors and 'skips' and 'Hall' are an insight into a world now gone outside these august establishments.New Book!Tony's latest book, London Horror Stories is available on https://amzn.to/2YSSHPb (Amazon UK) and https://amzn.to/2NgZHQu (Amazon US). Ghost and horror stories with a sense of place. https://tonywalker.substack.com/about (Subscribe For All Episodes!)Music by The Heartwood InstituteYou can listen to the album from which this is taken https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (here)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

The Metzotint,

0:02.0

everybody dies, don't they?

0:09.0

Everybody come back.

0:12.0

Isn't that so?

0:14.0

You tried to get into the locked drawn today, didn't you?

0:17.0

How do the dead come back, mother?

0:20.0

What's the secret? The Metzotint by M.R. James.

0:26.5

Some time ago, I believe I had the pleasure of telling you the story of an adventure which happened to a friend of mine,

0:33.0

by the name of Dennis Toon during his pursuit of objects of art for the museum at Cambridge.

0:38.9

He did not publish his experiences very widely upon his return to England, but they could not

0:44.2

fail to become known to a good many of his friends, and among others to the gentlemen who at

0:49.3

that time presided over an art museum at another university. It was to be expected that the story should

0:56.6

make a considerable impression on the mind of a man whose vocation lay in line similar to Dennis

1:02.0

Toons, and that he should be eager to catch at any explanation of the matter which tended to make

1:06.9

it seem improbable that he should ever be called upon to deal with so agitating an emergency.

1:13.6

It was indeed somewhat consoling to him to reflect that he was not expected to acquire ancient

1:18.7

manuscripts for his institution. That was the business of the Shelburnean Library. The authorities

1:25.4

of that institution might, if they pleased, ransack obscure corners of the continent for such matters.

1:31.3

He was glad to be obliged at the moment to confine his attention to enlarging the already unsurpassed collection of English topographical drawings and engravings possessed by his museum.

1:43.3

Yet, as it turned out, even a department so homely and familiar as this may have its dark corners,

1:51.0

and to one of these, Mr. Williams, was unexpectedly introduced.

1:56.0

Those who have taken even the most limited interest in the acquisition of topographical pictures

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