4.8 • 688 Ratings
🗓️ 14 August 2019
⏱️ 63 minutes
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0:00.0 | Spectrevision Radio |
0:02.0 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:20.0 | For more episodes, or to support the podcast, |
0:23.3 | go to weirdstudies.com. Hi, this is Phil Ford. |
0:51.2 | Welcome to this week's episode of Weird Studies, where J.F. and I discuss William |
0:55.5 | Gibson's novel pattern recognition. At first blush, this seems like a novel that isn't weird or |
1:01.4 | outlandish at all. Its world is a recognizable version of our own, with the same logo-saturated |
1:07.6 | public spaces and the same distracting play of glittering empty surfaces. |
1:13.0 | But pattern recognition pushes liquid metal modernity to a far point, where its surfaces |
1:18.3 | reverse into depths, and its hero, Case Pollard, finds herself tumbling into them, like Alice |
1:24.7 | in Wonderland, pursuing the secret of an enigmatic work of art. |
1:29.2 | It's a novel about the attention economy, about a postmodern culture rewilded, |
1:34.9 | about the vast subtle movements of power at the dizzy reaches above our heads, |
1:40.4 | about loss and grief, about souls, and about art. |
1:45.3 | Pattern recognition has a happy ending, but it's not a cop-out or a sop to easy sentiment. |
1:50.9 | J.F. suggests that it's a novel that asks how art can survive in an era of total commodification, |
1:56.4 | and by the end of this episode, we are thinking out loud, once again, about the figure of the magician, |
2:02.6 | who doesn't begrudge whatever system constrains him or her, but remains ever awake within it |
2:08.3 | and can always find a line of flight within the system, or through it, or around it, or maybe even out of it, altogether. |
2:16.5 | Before we begin, I'd like to make a pitch for our Patreon. |
2:20.6 | You know what I'm going to say. |
2:22.2 | Patreon helps independent, creators stay independent, |
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