4.8 • 688 Ratings
🗓️ 27 March 2019
⏱️ 76 minutes
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0:00.0 | Spectrevision Radio |
0:03.3 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:20.8 | For more episodes or to support the podcast, |
0:23.3 | go to weirdstudies.com. Welcome to Weird Studies, Episode 43 on Shirley Jackson. |
0:57.7 | I'm J.F. Martel. Just a few remarks before we start. |
1:03.7 | Shirley Jackson was born in San Francisco in 16, but lived in New England for much of her life. |
1:09.8 | She was a prolific author, publishing six novels and dozens of short stories before her death in 1965. |
1:15.8 | Her most famous works are without a doubt the lottery and the haunting of Hillhouse. |
1:21.4 | In our conversation, we compare her to David Lynch and briefly to H.P. Lovecraft, but another author we could have mentioned is Edgar Allan Poe. More than any other American writer I've |
1:26.7 | had the fortune to read, surely Jackson exemplifies |
1:29.9 | the kind of effortless dread that Poe innovated in English literature. But this isn't to take |
1:35.4 | anything away from Jackson's undeniable singularity. Her work confronts us, not with an ordinary |
1:41.7 | world in which weird things happen, with a weird world in which |
1:45.5 | any notion of ordinariness ultimately proves to be a veil we use to blind ourselves to what's |
1:50.7 | actually going on. |
1:52.4 | The conversation you're about to hear focuses on two of Jackson's shorter works, the aforementioned |
1:57.6 | lottery, which I first encountered in a book on writing decades ago, but only read in earnest recently. |
2:03.6 | And the summer people, a subtle example of weird fiction that it's chilling and mind-opening best. |
2:10.0 | This ended up being one of those wide-ranging conversations whose end point neither Phil nor I could predict, |
2:15.9 | and those are a lot of fun to record. |
2:18.5 | Hopefully, they make for good listening to enjoy the show. Patreon, motherfuckers, why aren't you joining? |
2:49.5 | Is that? |
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