Hi folks. How are you? I hope this finds you well. Monday morning here in the land of

soundtracking with me, Edith Bowman, and a busy old time we are having of it, which is great.

It's my favourite time of the year. You've probably heard me say that before because there's

just an abundance of stuff around at the minute, around award season, around festivals.

So we have got quite a lot of episodes already in the can. Yeah. at the minute around award season, around festivals.

So we have got quite a lot of episodes already in the can, which is very exciting with the likes of Todd Haynes, Mark Ronson, Molly Manning Walker about how to have sex, which you

all have to see when it hits cinemas on the 3rd of November.

And also, guess who I managed to catch up with once again this week?

And actually, it was recorded.

Talking heads!

Yeah!

So that's on the way.

Slightly giddy about that.

But anyway, that's the future.

This is the now.

And our latest guest on soundtracking is the wonderful Garth Davis who returns to discuss his psychological sci-fi thriller full.

Now that kind of description I feel almost kind of, for me it's the most beautiful, subtle but devastating film in that it's so

considered and the performances are just

so fantastic. It's very playlike and

it's based on the book by Ian Reid. It stars

Sir Sharonin who I love and Paul Meskow who I also love

and they are a couple whose life's turned upside down

...