we have we are in the studio space which we're actually moving you guys which is very exciting we're all very

excited here about it but we're still in the old spot and right now there's an incredible amount of

free jazz being played across the hall and i got to say is out of all the music from this place

that bleeds in i'm actually kind of enjoying this one. It's like not.

I'm like, we were trying to record the opening for the show and I just kept not talking because I was

like, oh man, this guy's like kind of going. I could kind of do this. There's like a, I hear bass,

I hear sax and I hear. The sax is real nice. Playing drums.

I will say last episode...

The last episode we did was tough, the call-on episode, because the entire time we actually

had to turn on the air conditioner in here to get some white noise because someone was just

playing their metronome really loudly, which is a hard thing to do to talk over.

You might, you think it's easy because it keeps you in time, but no, no, no, it's very difficult.

No one wants to talk in time.

Nobody does.

But we are going to a completely silent, airtight, no water studio very, very soon.

And you'll never hear us complain again.

Okay.

In time. Ladies and gentlemen, Jeffer Lepstein Ladies and gentlemen

Jeff, Jefferoy

Lepster

Come there

Come in.

...